THE NEW

New Hoover Deluxe Rug Shampooer
1979

rug shampooer, acrylic, and fluorescent lights
53 x 10 x 13 inches
134.6 x 25.4 x 33 cm

Miami, Rubell Family Collection, Beg Borrow and Steal, December 2, 2009 – August 27, 2010; Palm Springs, Palm Springs Art Museum, February 2 – June 2, 2013; Roanoke, Taubman Museum of Art, October 11, 2014 – January 10, 2015
Miami, Rubell Family Collection, To Have and to Hold, December 3, 2014 – May 30, 2015
Washington DC, The Hirshhorn Museum and Sculpture Garden, Brand New: Art and Commodity in the 1980s, February 14 – May 13, 2018
Suzanne Landau, Life-Size: A Sense of the Real in Recent Art, exh. cat. (Jerusalem: The Israel Museum, 1990) p. 128 (color. ill. p. 129)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 42, 164 (color ill. p. 42)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 151
Mark Coetzee, Rubell Family Collection: Not Afraid (London: Phaidon, 2004) (color ill. p. 158; color ill. p. 159, installation)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2008) (color ill. p. 135)
"Concept Game," (Text in Mandarin Harper's Bazaar Art (China), March 2011 (color ill. p. 137)
Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014) (color ill. p. 92)
Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (London: Flammarion, 2014) (color ill. p. 92)
Tiernan Morgan, "The Decade that Changed the Art World: Money, Media, and Brands in the 1980s," Hyperallergic, May 10, 2018 (color ill.) https://hyperallergic.com/439334/the-decade-that-changed-the-art-world-money-media-and-brands-in-the-1980s/
Karen Chernick, "How Mega-Collectors Don and Mera Rubell Keep Finding New Artists to Support," Artsy, November 11, 2019 (color ill.) https://www.artsy.net/article/artsy-editorial-mega-collectors-don-mera-rubell-finding-new-artists-support

Jasmine Liu, "A New Rubell Museum is Coming Soon to DC," Hyperallergic, May 11, 2022 https://hyperallergic.com/731996/a-new-rubell-museum-is-coming-soon-to-dc/

New Hoover Quik Broom, New Hoover Celebrity IV
1980

two vacuum cleaners, acrylic, and fluorescent lights
56 x 22 x 19 1/4 inches
142.2 x 55.9 x 48.9 cm

New York, New Museum of Contemporary Art, 65 Fifth Avenue, The New [a window installation], May 29 – June 26, 1980
Otegem, Belgium, Deweer Art Gallery, Matthieu Laurette – Commodities – Featuring Jeff Koons, Robert Ryman, & Andy Warhol, April 17 – June 6, 2004
London, Serpentine Gallery, In the Darkest Hour There May Be Light: Works from the Damien Hirst murderme Collection, November 25, 2006 – January 28, 2007
Basel, Switzerland. Fondation Beyeler, Jeff Koons. May 13 – September 2, 2012
Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 – April 27, 2015
Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015
London, Newport Street Gallery, Jeff Koons: Now, May 18 – October 16, 2016
Dan Cameron, "NY Art Now: The Saatchi Collection," exh. cat. (Milan: Giancarlo Politi, 1987), p. 135 (color ill. p. 135)
Marco Livingstone, Pop Art: A Continuing History (New York: Thames & Hudson, 1990), p. 220 (ill. p. 220)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 42, 43, 164 (color ill. pp. 42, 43)
Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (Distributed Art Publishers, Inc., 2003), p. 17 (color ill. p. 17, The New Museum installation)
Eduardo Cicelyn, Mario Codognato, and Elena Guena, Jeff Koons: Museo Archeologico Nazionale Napoli, exh. cat. (Naples: Electa Napoli, 2003), p. 28 (color ill. pp. 28-29, New Museum installation)
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004), p. 173 (color ill. p. 173)
Heinz Kaiser, "All is beautiful," Kunst + Unterricht, May 8, 2005, p. 8(color ill. p. 8)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 104 (color ill. p. 104)
Brigitte Kölle and Stiftung Kunstsammlung, Es geht voran: Kunst der 80er. Eine Düsseldorfer Perspektive (Munich, Prestel Verlag, 2010), p. 42 (color ill. p. 42, New Museum installation shot)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), pp. 42, 33, 203 (color ill. p. 44)
Jaimey Hamilton Faris, Uncommon Goods: Global Dimensions of the Readymade (Bristol, UK/Chicago, IL: Intellect, 2013), pp. 34-37 (ill. p. 35, The New window installation)
Sculpture After Sculpture: Fritsch/Koons/Ray, ed. by Jack Bankowsky, exh. cat. (Ostfildern: Hatje Cantz, 2014), p. 65 (color ill. p. 65)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 20, 53, 297 (color ill. p. 53, pl. 12)
Michael Auping, Andrea Karnes, and Allison Hearst, Urban Theater: New York Art in the 1980s, exh. cat. (New York: Skira Rizzoli Publications, 2014), pp. 26, 27 (color ill. pp. 26, 27)
Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 28 (color ill. p. 28)
Nicholas Forrest, "Damien Hirst to Curate Jeff Koons Show at Newport Street Gallery," Blouin Artinfo, March 23, 2016 (color ill.)
"Damien Hirst puts his personal collection of Jeff Koons artwork on show," Vogue Paris, May 13, 2016 (color ill.)
Louisa Buck, "Jeff Koons: Now at Newport Street Gallery preview," The Telegraph (UK), May 13, 2016 (color ill.) https://www.telegraph.co.uk/news/2018/10/12/paris-finally-finds-home-jeff-koons-giant-tulips-purist-claims/
"Jeff Koons Now Exhibition Opens At Damien Hirst's Newport Street Gallery," Artlyst, May 18, 2016 (color ill.)
Jonathan Jones, "Jeff Koons: Now Review - Damien Hirst's Joyless paean to Donald Trump of art," The Guardian, May 19, 2016 (color ill.)
Martin Gayford, "Like Rubens, Jeff Koons’s work is about repetition, fertility and sex – and piping," The Spectator, June 11, 2016 (color ill.) http://www.spectator.co.uk/2016/06/like-rubens-jeff-koonss-work-is-about-repetition-fertility-and-sex-and-piping/
Michael Archer and Hugh Allen, Jeff Koons: Now, exh. cat. (London: Other Criteria, 2016), pp. 16, 17, 99 (color ill. pp. 17, 99)
Diana Cosmin, "louis Vuitton colaboreaza cu cel mai bine cotat artist contemporan, Jeff Koons," Fine Society (Romania), April 12, 2017 https://finesociety.ro/jeff-koons-si-louis-vuitton/
Carol Yu, "Jeff Koons?" Ravenel, no 20 (Spring 2017)
40 Years New, ed. Lisa K. Phillips, exh. cat. (New York: New Museum, 2017) (color ill., pp. 32-33, New Museum installation)
Claire Selvin, "How Jeff Koons Became One of the Most Famous Artists of Our Time," Artnews, April 15, 2020 (color ill. The New, New Museum, New York) https://www.artnews.com/art-news/artists/jeff-koons-career-milestones-1202683 827/
Pietro Mini, "a dialogue with artist jeff koons: trust in yourself!," Designboom, September 28, 2021 https://www.designboom.com/art/dialogue-artist-jeff-koons-trust-in-yourself-09-28-2021/
Jeff Koons: Mucem. Works from the Pinault Collection, exh. cat.(Paris: Éditions Dilecta, 2021) (color ill. p. 70)
Jeff Koons. Shine, eds. Joachim Pissarro and Arturo Galansino, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021) (color ill. p. 171, New Museum window installation)

New Hoover Celebrity III's
1980

two vacuum cleaners, acrylic, and fluorescent lights
56 x 30 x 12 1/2 inches
142.2 x 76.2 x 31.8 cm

New York, The New Museum of Contemporary Art, The New [a window installation], May 29 – June 26, 1980
Chicago, Museum of Contemporary Art, Jeff Koons, July 1 – August 28, 1988
Basel, Switzerland. Fondation Beyeler, Jeff Koons. May 13, 2012 – September 2, 2012
New York, Acquavella Galleries, The Pop Object; The Still Life Tradition in Pop Art. April 10, 2013 – May 24, 2013
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014
A Brokerage of Desire, exh. cat. (Los Angeles: Otis Art Institute of Parsons School of Design, 1986), p. 21 (ill. p. 21)
I. Michael Danoff, Jeff Koons, exh. cat. (Chicago: Museum of Contemporary Art Chicago, 1988), pp. 5, 39 (ill. p. 5, pl. 3)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 164 (color ill. p. 42, installation view at the New Museum)
Robert Rosenblum, Jeff Koons, The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 150
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 106 (color ill. p. 106)
Brigitte Kölle and Stiftung Kunstsammlung, Es geht voran: Kunst der 80er. Eine Düsseldorfer Perspektive (Munich, Prestel Verlag, 2010), p. 42 (color ill. p. 42, New Museum installation)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), pp. 42, 203 (color ill. p. 45)
Jaimey Hamilton Faris, Uncommon Goods: Global Dimensions of the Readymade (Bristol, UK/Chicago, IL: Intellect, 2013) (ill. p. 35, The New window installation)
The Pop Object: The Still Life in Tradition in Pop Art, exh. cat. (New York: Rizzoli International Publications, Inc., 2013), p.176
"The King of Kitsch: Jeff Koons," (Text in Korean) Trans Trend Magazine, Summer 2014 (color ill. p. 6)
Fashion Calendar," Elle no. 346 (June 2014) (color ill. p. 22)
Lawrence Lowe, "Jeff Koons, in His Own Words," Details, June-July 2014 (color ill. p. 58)
Violaine Binet, "King Koons," Vogue (Paris), no. 948 (June-July 2014) (color ill. p. 212)
Jae-Su Kim, "A Magician of Creation and Destruction," (Text in Japanese) Art in Asia (Japan),August 2014 (color ill.)
Manami Fujimori, "Jeff Koons," (Text in Japanese) Art Techo (Japan) 66, no. 1012 (October 2014)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 56, 297 (color ill. p. 56, pl. 10)
Jack Bankowsky, Nicholas Cullinan, Thomas Crow, Michael Fired, Isabelle Graw, Michelle Kuo, Charles Ray, and Scott Rothkopf, Sculpture After Sculpture: Fritsch/Koons/Ray, ed. by Jack Bankowsky, exh. cat. (Ostfildern: Hatje Cantz, 2014), p. 65 (color ill. p. 65)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 18, 48, 285 (color ill. p. 48, pl. 10)
Micheal Auping, Andrea Karnes, and Allison Hearst, Urban Theater: New York Art in the 1980s (New York: Skira Rizzoli Publications, 2014), pp. 26-27 (color ill. pp. 26-27, New Museum window installation)
Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal. China: Thames & Hudson, 2014, pp. 100-101
Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal. Hove, England: Thames & Hudson, 2014, pp. 100-101
Sculpture After Sculpture: Fritsch/Koons/Ray, ed. by Jack Bankowsky, exh. cat. (Ostfildern: Hatje Cantz, 2014) (color ill. p. 65)
Urban Theater: New York Art in the 1980s, ed. Michael Auping, Andrea Karnes, and Allison Hearst, exh. cat. (New York: Skira Rizzoli Publications, TheModern Art Museum of Fort Worth, 2014)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 20, 52, 301 (color ill. p. 52, pl. 10)
Carol Yu, "Jeff Koons?" Ravenel, no 20 (Spring 2017) (color ill. 56) (color ill., New Museum installation)
Grace Halio, "Jeff Koons and George Condo Recall the '80s at New Museum's 40th Anniversary Fete," ArtNews, December 7, 2017 (color ill., New Museum installation) https://www.artnews.com/art-news/news/jeff-koons-george-condo-recall-80s-new-museums-40th-anniversary-fete-9426/
40 Years New, ed. Lisa K. Phillips, exh. cat. (New York: New Museum, 2017) (color ill., pp. 32-33, New Museum installation)
Claire Selvin, "How Jeff Koons Became One of the Most Famous Artists of Our Time," Artnews, April 15, 2020 (color ill., New Museum installation) https://www.artnews.com/art-news/artists/jeff-koons-career-milestones-1202683 827/
Pietro Mini, "a dialogue with artist jeff koons: trust in yourself!," Designboom, September 28, 2021 https://www.designboom.com/art/dialogue-artist-jeff-koons-trust-in-yourself-09-28-2021/
Jeff Koons: Mucem. Works from the Pinault Collection, exh. cat.(Paris: Éditions Dilecta, 2021) (color ill. p. 70)
Jeff Koons. Shine, eds. Joachim Pissarro and Arturo Galansino, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021), p. 171 (color ill. p. 171, New Museum window installation)
"Jeff Koons: High art or plain extravagance?" Al Jazeera, August 22, 2015

New Hoover Deluxe Shampoo Polishers
1980

two shampoo polishers, acrylic, and fluorescent lights
56 x 22 x 15 inches
142.2 x 55.9 x 38.1 cm

New York, The New Museum of Contemporary Art, The New [a window installation], May 29 – June 26, 1980
New York, Postmasters Gallery, Paravision, May 3 – June 2, 1984
Paris, Galeries Contemporaines, Centre Georges Pompidou, Cartes Blanches, Les Courtiers du Desir, April 15 – May 24,1987
San Francisco Museum of Modern Art; Minneapolis Walker Art Center, Jeff Koons, December 10, 1992 - October 3, 1993
London, Serpentine Gallery, In the Darkest Hour There May Be Light: Works from the Damien Hirst murderme Collection, November 25, 2006 - January 28, 2007
Basel, Switzerland. Fondation Beyeler, Jeff Koons. May 13, 2012 – September 2, 2012
Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 – April 27, 2015
Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 201
London, Newport Street Gallery, Jeff Koons: Now, May 18 – October 16, 2016
Hong Kong, Gagosian Gallery, Laws of Motion, November 20 – December 21, 2018
Ronny Cohen, "Energism: An Attitude," Artforum 19, no. 1 (September 1980), p. 23 (color ill. p. 23)
Jeanne Siegal, "Jeff Koons: Unachievable States of Being," Arts Magazine 61, no. 2 (October 1986), pp. 66, 67 (color ill. p. 66)
A Brokerage of Desire, exh. cat. (New York: Otis Art Institute of Parsons School of Design, 1986), p. 22 (ill. p. 22)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 42, 164 (color ill. p. 42)
John R. Lane, John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau, Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 10, 16, 45, 131 (color ill. p. 45, pl. 6)
Burkhard Riemschneider, Jeff Koons: 30 Postcards (Cologne: Taschen, 1992)
Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (New York: Distributed Art Publishers, Inc., 2003), p. 17 (color ill. p. 17, New Museum installation shot)
Eduardo Cicelyn, Mario Codognato, and Elena Guena, Jeff Koons: Museo Archeologico Nazionale Napoli, exh. cat. (Naples: Electa Napoli, 2003), pp. 28-29 (color ill. pp. 28-29, New Museum installation)
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004), p. 173 (color ill. p. 173)
Brigitte Kölle and Stiftung Kunstsammlung, Es geht voran: Kunst der 80er. Eine Düsseldorfer Perspektive (Munich, Prestel Verlag, 2010), p. 42 (color ill. p. 42, New Museum installation shot)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012) pp. 42, 45, 203 (color ill. p. 45)
Jack Bankowsky, Nicholas Cullinan, Thomas Crow, Michael Fired, Isabelle Graw, Michelle Kuo, Charles Ray, and Scott Rothkopf, Sculpture After Sculpture: Fritsch/Koons/Ray, ed. by Jack Bankowsky, exh. cat. (Ostfildern: Hatje Cantz, 2014), p. 65 (color ill. p. 65)
Michael Auping, Andrea Karnes, and Allison Hearst, Urban Theater: New York Art in the 1980s, exh. cat. (New York: Skira Rizzoli Publications, 2014), pp. 26, 27 (color ill. pp. 26-27)
Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014), pp. 102, 103 (color ill. p. 103)
Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (London: Flammarion, 2014), p. 103 (color ill. p. 103)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 56, 297 (color ill. p. 56, pl. 11)
Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 27 (color ill. p. 27)
Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2015), pp. 20, 21 (color ill. p. 20)
Michael Archer and Hugh Allen, Jeff Koons: Now, exh. cat. (London: Other Criteria, 2016), pp. 80-81 (color ill. pp. 80-81, Newport Street Gallery installation)

New Shop-Vac Wet/Dry
1980

vacuum cleaner, acrylic, and fluorescent lights
35 x 22 x 22 inches
88.9 x 55.9 x 55.9 cm

Caracas, Galería Durbán, Art for the Eighties, September 3, 1980
Antwerp, Belgium, Galerie Ronny van de Velde, About Collecting: Four Collectors, Four Spaces, April 16 – June 1, 1991
Berlin, Hamburger Bahnhof - Museum für Gegenwar, Reset: Works from the Marx Collection, November 23, 2007 – August 17, 2008
Frankfurt, Liebieghaus Skulpturensammlung, Jeff Koons. The Sculptor, June 20 – September 23, 2012
Berlin, Hamburger Bahnhof - Museum für Gegenwar, The Elephant in the Room: Sculptures from the Marx Collection, November 1, 2018 – October 20, 2019
Dan Cameron, "NY Art Now: The Saatchi Collection," exh. cat. (Milan: Giancarlo Politi, 1987), p. 127 (color ill. p. 127)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 45, 164 (color ill. p. 45)
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004), p. 167
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 126 (color ill. p. 126)
Max Hollein, Andreas Beyer, Monika Wagner, Walter Grasskamp, Babette Babich, and Vinzenz Brinkmann, Jeff Koons: The Sculptor, eds. Vinzenz Brinkmann, Matthias Ulrich, Joachim Pissarro, and Max Hollein, exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), pp. 164, 191 (color ill. p. 165)
Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2015), p. 21 (color ill. p. 21
"Jeff Koons’ Philosophy of Perfection," Reflections. NOWNESS, June 16, 2014Item description

New Hoover Celebrity QS
1980–1986

vacuum cleaner, acrylic, and fluorescent lights
54 x 26 x 19 inches
137.2 x 66 x 48.3 cm

Paris, Galeries Contemporaines, Centre Georges Pompidou, Cartes Blanches, Les Courtiers du Desir, April 15 – May 24,1987
Chicago, Museum of Contemporary Art, Jeff Koons, July 1 – August 28, 1988
Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Aarhus, Aarhus Kunstmuseum, January 22 – February 28, 1993; Stuttgart, Staatsgalerie Stuttgart, March 12 – April 18, 1993
London, Newport Street Gallery, Jeff Koons: Now, May 18 – October 16, 2016
I. Michael Danoff, Jeff Koons, exh. cat. (Chicago: Museum of Contemporary Art Chicago, 1988), pp. 11, 39 (ill. p. 11, pl. 4)
Jenny Attiyeh, "Artrepreneurs," Culture Concrete, Summer 1991, p. 14 (color ill. p. 14)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 42, 164 (color ill. p. 42)
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004), p. 173 (color ill. p. 173)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 105 (color ill. p. 105)
Michael Archer and Hugh Allen, Jeff Koons: Now, exh. cat. (London: Other Criteria, 2016), pp. 22, 23, 99 (color ill. pp. 23, 99)

New Hoover Deluxe Shampoo Polisher
1980/1986

shampoo polisher, acrylic, and fluorescent lights
56 x 10 x 15 inches
142.2 x 25.4 x 38.1 cm

London, Newport Street Gallery, Jeff Koons: Now, May 18 – October 16, 2016
Robert Rosenblum, The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 151
Souren Melikian, “At contemporary sales, art seems beside the point,” International Herald Tribune, May 18, 2007
Souren Melikian, Art + Auction, (July 2007), p. 46 (color ill. p. 46)
Jean-Max Colard, "L'impromptu de Versailles," Les Inrocktupibles, September 2008, (color ill. p. 76)
Rex Butler, "Andy Warhol and the "Religious" Dimension of Contemporary Art," Reading Room: A Journal of Art and Culture 2 (2008), p. 31
Michael Archer and Hugh Allen, Jeff Koons: Now, exh. cat. (London: Other Criteria, 2016), pp. 18, 19, 99 (color ill. p. 19; color ill. p. 99)

New Hoover Deluxe Shampoo Polishers
1980–1986

three shampoo polishers, acrylic, and fluorescent lights
56 x 36 x 15 inches
142.2 x 91.4 x 38.1 cm

Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993
Paris, Galerie Jerome de Noirmont, Jeff Koons, September 30 – November 29, 1997
Robert Rosenblum, The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), pp. 50, 51, 152 (color ill. p. 51, as '1981-1986')
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 43, 164 (color ill. p. 43)
Jens Erik Sorenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons - Retrospectiv, eds. Jens Erik Sorenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 23, 110 (color ill. p. 23)
Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), pp. 10, 98 (color ill. p. 11)
Nicolas Bourriaud, "Jeff Koons Ingenieur du desir," (Text in French) Beaux Arts (France), September 1997, p. 49 (color ill. 49)
France Huser, "Jeff Koons: L'Irrévérencieux," (text in French) L'Officiel (Paris), no. 820 (November 1997), p. 157 (color ill. p. 157)
Anne Wehr, Plop: Recent Projects of the Public Art Fund (New York: Merrel, 2004), p. 131 (color ill. p. 131)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 130 (color ill. p. 130)
Jean-Luc Chalmeau, Comprendre l'Art contemporain (Paris: Chêne, 2010), p. 162 (color ill. p. 162)

The New Jeff Koons
1980

Duratran and fluorescent light box
42 x 32 x 8 inches
106.7 x 81.3 x 20.3 cm

New York, Artists Space, Los Angeles - New York Exchange, May 21 – July 2, 1983
San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993
Bielefeld, Kunsthaus Bielefeld, Jeff Koons: Pictures 1980 - 2002, September 22 – November 10, 2002
New York, C & M Arts, Jeff Koons: Highlights of 25 Years, April 7 – June 5, 2004
Edinburgh, The Fruitmarket Gallery, Dada's Boys: Identity and Play in Contemporary Art, May 27 – July 16, 2006
Chicago, Museum of Contemporary Art, Jeff Koons, May 31 – September 21, 2008
Basel, Fondation Beyeler, Jeff Koons, May 13 – October 2, 2012
Washington DC, The Hirshhorn Museum and Sculpture Garden, Brand New: Art and Commodity in the 1980s, February 14 – May 13, 2018
Doha, Qatar Museums Al Riwaq Gallery, Jeff Koons: Lost in America, November 21, 2021 – March 31, 2022
Alan Jones, "Jeff Koons," Arts Magazine 58, no. 3 (November 1983)
Gary Indiana, "Normal Wares," Village Voice, March 1986
Alan Jones, "Up Against the Wall," NY Talk, May 1986, n.p. (ill. n.p.)
Jeanne Siegal, "Jeff Koons: Unachievable States of Being," Arts Magazine 61, no. 2 (October 1986), pp. 68, 69 (ill. p. 69)
Allan Schwartzman, "The Yippie-Yuppie Artist." Manhattan Inc., num. 12 (December 1987), p. 140
Dan Cameron, NY Art Now: The Saatchi Collection, exh. cat. (Milan: Giancarlo Politi, 1987), p. 129 (color ill. p. 129)
Joseph Jacobs, This Is Not A Photograph: Twenty Years of Large-Scale Photography 1966-1986 (Boston: Northeastern University Press, 1987), pl. 38 (ill. pl. 38)
Zdenek Felix, New York in View: Ashley Bickerton, Jeff Koons, Allan McColllum, Haim Steinbach, Meyer Vaisman, exh. cat. (text in German) (Munich: Kunstverein Munchen, 1988), p. 5 (ill. p. 5)
Jean-Michel Foray, Jean-Pierre Criqui, L'Objet de l'Exposition, exh. cat. (Paris: Centre National des Arts Plastiques, 1988), p. 15 (ill. p. 15)
Klaus Kertess, “Bad,” (text in English and German) Parkett, no. 19 (1989), p. 29 (ill. p. 29)
"Jeff Koons Resume," Avenue, February 1989, p. 115
Christopher Knight, "Jeff Koons: A Scrubbed New Life," The Los Angeles Times, December 14, 1992
Albig Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art Das Kunstmagazine, no. 12 (December 1992), p. 60 (ill. p. 60)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 41, 164 (color ill. p. 41)
John R. Lane, John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau,, Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 43, 131 (ill. p. 43, pl. 4)
Robert Rosenblum, The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), pp. 3, 153 (color ill. p. 3)
Jens Erik Sorenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sorenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), p. 7 (ill. p. 7)
Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), p. 2 (ill. p. 2)
Rizzoli Spring 1993 (New York: Rizzoli, 2013), pp. 13, index.
Glen Helfand, "Smooth Operator," SF Weekly 11, no. 45 (January 6, 1993), cover (color ill. cover)
David Littlejohn, "Who is Jeff Koons and why are people saying such terrible things about him?" ARTnews 92, no. 4 (April 1993), p. 93
John Townsend, "Erotic Mischief at the Walker," Gaze Magazine, August 6, 1993, p. 44 (ill. p. 44)
Everything that's Interesting is New: The Dakis Joannou Collection, exh. cat. (New York: Guggenheim Museum SoHo, Athens: Athens School of Fine Arts, Copenhagen: Museum of Modern Art, 1996), p. 286 (ill. p. 286)
Ingrid Sischy, "Koons, High and Low," Vanity Fair, no. 487 (March 2001), p. 234
Jeff Koons: Pictures 1980 – 2002, exh. cat. (Germany: Diese Publikation, 2002)
Eduardo Cicelyn, Mario Codognato, and Elena Guena, Jeff Koons: Museo Archeologico Nazionale Napoli, exh. cat. (Naples: Electa Napoli, 2003), p. 21 (color ill. p. 20)
Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (New York: Distributed Art Publishers, Inc., 2003) pp. 10, 32, 96 (color ill. p. 2)
David Deitcher, “Spiritual America,” ARTFORUM, October 2004, pp. 89, 90, 278, 281, 283 (color ill. p. 89)
Paul Schimmel, “Best of 2004: 13 Critics and Curators Look at the Year in Art,” ARTFORUM, December 2004, p. 168
Rainer Crone, Jeff Koons: Highlights of 25 Years, exh. cat. (New York: C&M, 2004), pp. 20, 21, 80 (color ill. pl. 1, pp. 21, 80)
Sarah Cosulich Canarutto, Jeff Koons: Supercontemporanea Series, ed. Francesco Bonami, exh. cat. (Verona: Monsadori Printing, 2006), pp. 28, 29 (color ill. pp. 28, 29)
David Hopkins, Dada's Boys: Identity and Play in Contemporary Art, exh. cat. (Edinburgh: The Fruitmarket Gallery, 2006), p. 45 (ill. p. 45)
Raphel Bouvier, "The Baroque and the New: Jeff Koons and the Concept of Baptism," Baroque Tendencies in Contemporary Art, ed. Kelly Wacker (Newcastle, UK: Cambridge Scholars Publishing, 2007), pp. 126-127
Camilla Long, "Loony Koons," Tatler, May 2007, p. 118 (color ill. p. 118)
Jeff Koons, ed. Francesco Bonami, exh. cat. (New Haven and London: Yale University Press, 2008), pp. 10, 32, 33, 113 (color ill. pp. 10, 32)
POP Life: Art in a Material World, ed. Jack Bankowsky, Alison Gingeras, and Catherine Wood, exh. cat. (London, Tate Modern, 2010), pp. 36, 37 (color ill. pp. 36, 37)
Art:21: Art in the Twenty-First Century 5, ed. Marybeth Sollins (New York: Abrams Books/Art21, Inc., 2009), p. 88 (color ill. p. 88)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), pp. 10, 110, 400 (color ill. p. 123)
Roberta Smith, "That Was No Lady, That Was My Wife,“ The New York Times, February 28, 2010, online
Katy Siegel, Since '45: America and the Making of Contemporary Art (New York: Reaktion Books, 2011), p. 115 (ill. p. 115)
Räphael Bouvier, Jeff Koons - Der Künstler Als Täufer (Munich: Wilhelm Fink, 2012), p. 246 (color ill. p. 246, pl. 7)
Hans-Joachim Muller, "Es war einmal... (Once Upon a Time...)" Monopol: Special Jeff Koons (Germany), 2012, p. 20 (color ill. p. 20)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Basel: Hatje Cantz, 2012), pp. 46, 48, 49, 175, 203, 206 (color ill. pp. 46, 49)
L. Marsova, "AO On Site - Basel - Artist talk with Jeff Koons at Fondation Beyeler, Thursday June 14, 2012," Art Observed, June 14, 2012, n.p. (color ill. n.p., Fondation Beyeler installation)
Hal Foster, "At the Whitney," London Review of Books 36, no. 15 (July 31, 2014), pp. 22, 23
Jae-Su Kim, "A Magician of Creation and Destruction," Art in Asia (Japan),August 2014, n.p. (color ill. n.p.)
Rachel Harrison, "Thanks for the Memories," Artforum 53, no. 1 (September 2014), p. 317 (color ill. p. 317)
Judicaël Lavrador, "Jeff Koons Génie ou Imposteur," (Text in French) Beaux Arts éditions, November 2014, pp. cover, 140
Sarah Thornton, 33 Artists in 3 Acts (New York: W.W. Norton & Company, Inc., November 2014), p. 90
Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (London: Flammarion, 2014), p. 10 (ill. p. 11)
Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014), p. 10 (ill. p. 11)
Anne Breucha, Die Kunst der Postproduktion: Jeff Koons in Seinen interviews (Paderborn: Wilhelm Fink, 2014), p. 71 (ill. p. 71)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 59, 67, 223, 241, 298 (color ill. p. 59, pl. 14)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 51, 215, 230, 290 (color ill. p. 51, pl. 14)
Self: Bacon, Hirst, Koons, Picasso, ed. Pilar Ordovas, exh. cat. (England: Ordovas, 2014)
Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of the Exhibition, ed. Julie Champion (Paris: Centre Pompidou, 2015), pp. 20, 21
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 55, 227, 242, 301 (color ill. p. 55, pl. 14)
Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2015), pp. 92, 95 (ill. p. 92)
Gianni Jetzer, Leah Pires, and Bob Nickas, Brand New: Art & Commodity in the 1980s, exh. cat. (New York: Rizzoli, 2018), p. 41 (color ill. p. 41)
Massimiliano Gioni, Apariencia desnuda: El Deseo y el objeto en la obra de Marcel Duchamp y Jeff Koons, aun, exh. cat. (Mexico City: Museo Jumex, 2019), pp. 27, 28, 51, 66, 80, 81, 102 (color ill. p. 17; ill. cover photo)
Massimiliano Gioni, Appearance Stripped Bare, Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, exh. cat. (London: Phaidon, 2019), pp. 65, 66, 176, 177 (color ill. pp. 176, 177)
Barbara Tannenbaum, "A jornada da fotografia: de enteada a coadjuvante," (Portuguese) Traco 2 (Brazil), 2019, pp. 66-77 (color ill. pp. 66, 67)
Stephanie Eckardt, "Is Jeff Koons Our Marcel Duchamp?" W Magazine, May 27, 2019 https://www.wmagazine.com/gallery/jeff-koons-marcel-duchamp-exhibit-museo-jumex-mexico-city/, n.p. (color ill. n.p.)
Massimiliano Gioni, Il desiderio messo a nudo, Conversazioni con Jeff Koons (Monza: Johan & Levi editore, 2021), p. 53 (color ill. p. 53)
Jeff Koons. Lost in America, ed. Massimiliano Gioni, exh. cat. (Milan: Skira, 2021), p. 34, (color ill. p. 35)
"Qatar Museums to present first exhibition by Jeff Koons in Gulf Region," Gulf Times (Qatar), September 13, 2021 https://www.gulf-times.com/story/700373/Qatar-Museums-to-present-first-exhibition-by-Jeff-, n.p. (color ill. n.p.)
Mark Westall, "Jeff Koons: Lost in America, his first exhibition in the Gulf region," FAD Magazine (London, UK), September 14, 2021 https://fadmagazine.com/2021/09/14/jeff-koons-lost-in-america-his-first-exhibition-in-the-gulf-region/, n.p. (color ill. n.p., Douglas M. Parker Studio shot)
Sammy Su, "Jeff Koons To Showcase More Than 60 Artworks Throughout Qatar Museums," Hypebeast (Hongkong), September 15, 2021 https://hypebeast.com/2021/9/jeff-koons-lost-in-america-exhibition-qatar-museums, n.p. (color ill. n.p., by Douglas M. Parker Studio)
Francesca Pini, "Jeff Koons "Ho Accettato Le Mie Ferite"," Sette Corriere della Sera (Italy), September 24, 2021, n.p.
Pietro Mini, "a dialogue with artist jeff koons: trust in yourself!," Designboom, September 28, 2021 https://www.designboom.com/art/dialogue-artist-jeff-koons-trust-in-yourself-09-28-2021/, n.p.
Cara Ronza, "La cultura americana nelle banalità patinate di Jeff Koons," Arte (Italy), October 1, 2021, n.p. (color ill. n.p., from "Lost in America" by Massimiliano Gioni)
Jeff Koons: Shine, eds. Joachim Pissarro and Arturo Galansino, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021), p. 169 (color ill. p. 169)
Bianca Brigitte Bonomi, "Jeff Koons in Qatar: The American Artist’s Lost in America Exhibition Is One Not To Be Missed…," Harper's Bazaar Arabia, March 25, 2022 https://www.harpersbazaararabia.com/culture/art/jeff-koons-in-qatar, n.p. (color ill. n.p., QM Gallery Al Riwaq installation view)
Gesine Borcherdt, Dream On Baby (Nuremburg: Institut für moderne Kunst, 2023), p. 165 (color ill. 165)

New 100's Merit Ultra-Lights
1981

two color Duratrans and fluorescent light boxes
42 x 63 x 8 inches, each
106.7 x 160 x 20.3 cm, each

New York, Artists Space, Los Angeles - New York Exchange, May 21 – July 2, 1983
Paris, Galerie Jerome de Noirmont, Jeff Koons, September 30 – November 29, 1997
Reykjavik, National Gallery of Iceland, Close-Up - Contemporary American Art in the Astrup Fearnley Collection, May 15 – June 6, 2004
Oslo, Astrup Fearnley Museum of Modern Art, Jeff Koons: Retrospective, September 4 – December 12, 2004; Helsinki, Helsinki City Art Museum, January 28 – April 10, 2005
Sao Paulo, Biennial Pavilion, In the Name of the Artists: Contemporary American Art from the Astrup Fearnley Collection, September 30 – December 4, 2011
Oslo, Astrup Fearnley Museum of Modern Art, Before Tomorrow - Astrup Fearnley Museet 30 Years, June 22 – October 8, 2023
Alan Jones, "Jeff Koons," Review. Arts Magazine 58, no. 3 (November 1983)
Giancarlo Politi, "Luxury and Desire. An Interview with Jeff Koons," Flash Art, no. 132 (February/March 1987), p. 75
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 40, 164 (color ill. p. 40)
Robert Rosenblum, The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 149
Hans Ulrich Obrist, Koons, exh. cat. (Paris: Galerie Jérôme de Noirmont, 1997), pp. 14, 82 (color ill. p. 15)
Close-Up - Contemporary American Art in the Astrup Fearnley Collection, exh. cat. (Reykjavik: National Gallery of Iceland, 2004)
Jeff Koons Retrospektiv, ed. by Marit Woltmann, exh. cat. (Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004), pp. 19, 146 (color ill. p. 19)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2008), p. 116 (color ill. p. 116)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), pp. 46, 175 (color ill. p. 46, Artists Space installation)
Jeff Koons: Works from the Astrup Fearnley Collection, ed. Gunnar B. Kvaran, exh. cat. (Oslo: Astrup Fearnley Museet, 2018), pp. 5, 13, 21 (color ill. p. 21)

New! New Too!
1983

lithograph billboard mounted on cotton
123 x 272 inches
312.4 x 690.9 cm

New York, Artists Space, A Decade of New Art, May 31, 1984 – June 30, 1984
New York, The New Museum of Contemporary Art, Damaged Goods: Desire and the Economy of the Object, June 21 – August 10, 1986
Bielefeld, Kunsthaus Bielefeld, Jeff Koons: Pictures 1980 - 2002, September 22 – November 10, 2002
Oslo, Astrup Fearnley Museum of Modern Art, Jeff Koons: Retrospective, September 14 – December 22, 2004; Helsinki, Helsinki City Art Museum, January 28 – April 10, 2005
Basel, Fondation Beyeler, Jeff Koons, May 13 – September 2, 2012
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27- October 19, 2014; Paris, The Centre Pompidou, November 26, 2014 - April 27, 2015; Bilbao, Guggenheim Museum Bilbao, June 9 – September 27, 2015
Washington DC, The Hirshhorn Museum and Sculpture Garden, Brand New: Art and Commodity in the 1980s, February 14 – May 13, 2018
Linda Cathcart, Artists Space: A Decade of New Art, exh. cat. (New York, Committee for the Visual Arts, 1984), p. 44 (ill. p. 44)
Ronald Jones, "Damaged Goods: The New Museum of Contemporary Art," Flash Art, October / November 1986, pp. 73-74 (color ill. p. 73)
Brian Wallis, "A Product You Could Kill For," in Damaged Goods: Desire and Economy of the Object, exh. cat. (New York: New Museum of Contemporary Art, 1986), p. 29
Kate Linker, "Damaged Goods: Desire and the Economy of the Object," Artforum, November 1986, p. 135
Robert Rosenblum and Jeff Koons, The Jeff Koons Handbook (London: Anthony d’Offay Gallery, 1992), p. 152
Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (New York: Distributed Art Publishers, Inc., 2003), pp. 16, 34, 96 (color ill. p. 35)
Jeff Koons Retrospektiv, ed. by Marit Woltmann, exh. cat. (Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004), pp. 21, 136, 146 (color ill. pp. 20-21)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2008), p. 114 (color ill. p. 114)
Paola Nicolin, "So Different, So Appealing," Kaleidoscope 11 (Summer 2011), pp. 188, 189 (color ill. p. 189)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), pp. 58, 175, 203 (color ill. pp. 58-59)
L. Marsova, "AO On Site - Basel - Artist talk with Jeff Koons at Fondation Beyeler, Thursday June 14, 2012," Art Observed, June 14, 2012, n.p. (color ill. n.p. Fondation Beyeler installation)
Tom Simpson, “King of Pop: 35 years of Jeff Koons art-in-pictures,” The Guardian, June 25, 2014 https://www.theguardian.com/artanddesign/gallery/2014/jun/25/king-of-pop-30-years-of-jeff-koons-art-in-pictures, n.p. (color ill. n.p.)
John Waters, "Jeff Koons in Conversation with John Waters," Gagosian Quarterly, Summer 2014, p. 105 (color ill. p. 105)
Jae-Su Kim, "A Magician of Creation and Destruction," (Text in Japanese) Art in Asia (Japan),August 2014, n.p. (color ill. n.p.)
Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014), p. 270 (color ill. p. 270)
Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (London: Flammarion, 2014), p. 270 (color ill. p. 270)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 63, 298 (color ill. p. 63, pl. 20)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 55, 286 (color ill. p. 55, pl. 20)
Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of the Exhibition, ed. Julie Champion (Paris: Centre Pompidou, 2015), pp. 32, 33 (color ill. pp. 32, 33)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 59, 297 (color ill. p. 59, pl. 20)
Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 24 (color ill. p. 24)
Gianni Jetzer, Leah Pires, Bob Nickas, Brand New: Art & Commodity in the 1980s, exh. cat. (New York: Rizzoli, 2018), p. 112 (color ill. p. 112)
Pietro Mini, "a dialogue with artist jeff koons: trust in yourself!," Designboom, September 28, 2021 https://www.designboom.com/art/dialogue-artist-jeff-koons-trust-in-yourself-09-28-2021/, n.p. (color ill. n.p.)
"Jeff Koons: High art or plain extravagance?" Al Jazeera, August 22, 2015, n.p. (color ill. n.p.)

New Rooomy Toyota Family Camry
1983

lithograph billboard mounted on cotton
60 x 130 inches
152.4 x 330.2 cm

Baltimore, School 33, New Sculpture, March 1984
New York, The New Museum of Contemporary Art, Damaged Goods: Desire and the Economy of the Object, June 21 - August 10, 1986
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27- October 19, 2014
Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 - April 27, 2015
Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 - September 27, 2015
London, Newport Street Gallery, Jeff Koons: Now, May 18 - October 16, 2016
Doha, Qatar Museums Al Riwaq Gallery, Jeff Koons: Lost in America, November 21, 2021 - March 31, 2022
Alan Jones, "Jeff Koons," Arts Magazine 58, no. 3 (November 1983), p. 11 (color ill. p. 11, John Weber installation)
John Dorsey, “School 33 opens gallery to more artists,” The Baltimore Sun, March 17, 1984, p. 1
Giancarlo Politi, "Luxury and Desire. An Interview with Jeff Koons," Flash Art (Milan), no. 132 (February/March 1987), p. 75
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 165
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 152
Stephanie Dumont and Karl Eirik Haug "Jeff Koons Gets a Lift..." Carl's Cars, Fall 2004, p. 25
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 136 (color ill. pp. 136-137)
Katherine Brooks, “Jeff Koons - An Artist, Wrapped In A Mystery, Inside Shiny Stainless Steel,” HuffingtonPost, June 27, 2014 (color ill. Whitney installation) https://www.huffpost.com/entry/jeff-koons-a-retrospective_n_5538103
Peter Schjeldahl, "Selling Points," The New Yorker, July 7-14, 2014, p. 93
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 54, 59, 286 (color ill. p. 54, pl. 19; color ill. p. 59, fig. 10, New Museum installation)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 62, 298 (color ill. p. 62, pl. 19; color ill. p. 67, fig. 10, New Museum installation)
Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014), p. 270 (color ill. p. 270)
Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (London: Flammarion, 2014), p. 270 (color ill. p. 270)
Jeff Koons: La Rétrospective, L'Album de L'Exposition, eds. Julie Champion, Caroline Edde (Paris: Centre Pompidou, 2014), p. 9 (color ill. p. 9)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 58, 297 (color ill. p. 58, pl. 19)
Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of the Exhibition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 34 (color ill. pp. 34-35)
Nicholas Forrest, "The Joy of Jeff Koons at Damien Hirst's London Gallery," Blouin Art Info, May 26, 2016 (color ill. Newport Street installation)
Michael Archer and Hugh Allen, Jeff Koons: Now, exh. cat. (London: Other Criteria, 2016), pp. 26, 79 (color ill. pp. 26-27; color ill. pp. 78-79, Newport Street Gallery installation; color ill. p. 79)
Jeff Koons. Lost in America, ed. Massimiliano Gioni, exh. cat. (Milan: Skira, 2021), pp. 36-37 (color ill. pp. 36-37)
Jeff Koons. Shine, eds. Joachim Pissarro and Arturo Galansino, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021) (color ill. p. 172, John Weber Gallery installation 1983)
Bianca Brigitte Bonomi, "Jeff Koons in Qatar: The American Artist’s Lost in America Exhibition Is One Not To Be Missed…," Harper's Bazaar Arabia, March 25, 2022 https://www.harpersbazaararabia.com/culture/art/jeff-koons-in-qatar

New Double Shelton Wet/Drys 10 Gallon
1980

two vacuum cleaners, acrylic, and fluorescent lights
43 x 54 x 28 inches
109.2 x 137.2 x 71.1 cm

Basel, Fondation Beyeler, Jeff Koons, May 13 – September 2, 2012
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 47 (color ill. p. 47)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 150
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004), p. 169
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 126 (color ill. p. 126)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), p. 55, 203 (color ill. cover, detail; color ill. back cover, detail)
Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 8 (color ill. p. 8)
"Jeff Koons’ Philosophy of Perfection." Reflections. NOWNESS. 16 June 2014

New Hoover Convertible
1980

vacuum cleaner, acrylic, and fluorescent lights
56 x 22 1/2 x 22 1/2 inches
142.2 x 57.2 x 57.2 cm

Chicago, The Renaissance Society at The University of Chicago, New Sculpture: Robert Gober, Jeff Koons, Haim Steinbach, May 7 – June 21, 1986
Chicago, Museum of Contemporary Art, Jeff Koons, July 1 – August 28, 1988
San Francisco Museum of Modern Art; Minneapolis Walker Art Center, Jeff Koons, December 10, 1992 – October 3, 1993
Miami, Rubell Family Collection, Beg Borrow and Steal, December 2, 2009 - August 27, 2010; Palm Springs, Palm Springs Art Museum, February 2 – June 2, 2013; Roanoke, Taubman Museum of Art, October 11, 2014 – January 10, 2015
Basel, Fondation Beyeler, Jeff Koons, May 13 – September 2, 2012
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014
Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 – April 27, 2015
Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015
Hal Foster, "The Future of an Illusion, or The Contemporary Artist as Cargo Cultist," in Endgame, Reference and Simulation in Recent Painting and Sculpture, exh. cat. (Cambridge: MIT Press, 1986), p. 115
"New York Man Turns Hoover Products into Works of Art," Hoover News, August 21, 1987 (ill. p. 8, Courtesy Sonnabend, caption incorrect as Ilase Sonnabend)
Jean-Christophe Ammann, "Der Fall Jeff Koons," Parkett, no. 19, Zurich 1989, p. 52 (ill.)
I. Michael Danoff, Jeff Koons, exh. cat. (Chicago: Museum of Contemporary Art Chicago, 1988), pp. 12, 39 (ill. p. 12, pl. 6)
Corinne Robins, "Goods and Not-So-Goods: 60s/80s Sculpture Parallels," Arts Magazine 62, no. 10 (June 1988), p. 64 (ill. p. 64)
Alan G. Artner, "Market Valued What Jeff Koons' Work Says About the Art World," The Chicago Tribune, July 31, 1988 (ill. p. 16)
The Readymade Boomerang / Art is Easy: Certain Relations in Twentieth Century Art. The 8th Biennale of Sydney (Millers Point: The Biennale of Sydney, The Art Gallery of New South Wales, 1990), p. 476 (color ill. p. 19)
Power: Its Myths and Mores In American Art 1961-1991, exh. cat. (Indianapolis: Indianapolis Museum of Art, 1991), p. 87 (ill. p. 87)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 48 (color ill. p. 48)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 150

John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 10, 16, 44, 131 (color ill. p. 44, pl. 5)
American Art in the 20th Century: Painting and Sculpture 1913-1993, eds. Christos M. Joachimides and Norman Rosenthal (Munich/London/Berlin: Prestel-Verlag, Royal Academy of Arts, ZEITGEIST-Gesellschaft e. V., 1993), p. 457
Tony Godfrey, Conceptual Art (London: Phaidon Press Limited, 1998), p. 394 (color ill. plate 230/p. 392)
Burkhard Riemschneider and Uta Grosenick, ed., Art at the Turn of the Millennium (Cologne: Taschen, 1999), p. 287 (color ill. p. 287)
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004), p. 167 (color ill. p. 167)
Mark Coetzee, Rubell Family Collection: Not Afraid (London: Phaidon, 2004) (color ill. p. 156; color ill. p. 159, installation)
Monument to Now, exh. cat., ed. Jeffrey Deitch (Athens, DESTE Foundation Centre for Contemporary Art, 2004)
Kelly Devine Thomas, "The Selling of Jeff Koons," ARTnews 104, no. 5 (May 2005), p. 116 (color ill. p. 117)
Anouchka Roggeman and Karen Wright, “Koons on Koons,” Modern Painters, June 2006, p. 66 (color ill. p. 67)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 134 (color ill. p. 135)
Matthew Simmons, "Art Star," Lifestyles Magazine, Winter 2008, p. 26
Crash: Homage to JG Ballard, ed. by Mark Francis and Kay Pallister, exh. cat. (London: Gagosian, 2010) (color ill. pp. 126-127)
David Hopkins, "Inside the Playroom," in Childish Things, exh. cat. (Edinburgh, Fruitmarket Gallery, 2010), p. 39
L. Marsova, "AO On Site - Basel - Artist talk with Jeff Koons at Fondation Beyeler, Thursday June 14, 2012," Art Observed, June 14, 2012 (color ill. Fondation Beyeler installation)
Botta, Carlotta Loverni. "Koons at the Fondation Beyeler." Vogue Italia 15 June 2012. (in online slideshow, not hard copy)
Max Hollein, Scott Rothkopf, Joachim Pissarro, Matthias Ulrich, and Jeff Fraiman, Jeff Koons: The Painter, eds. Matthias Ulrich, Vinzenz Brinkmann, Joachim Pissarro, and Max Hollein exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), pp. 9, 13, 60 (color ill. p. 60, fig. 1)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), pp. 5, 203 (color ill. p. 51)
Carl Swanson, "The Age of Jeff Koons," New York Magazine, May 13, 2013 (color ill. p. 28)
Ileana Sonnabend: Ambassador for the New, eds., Ann Temkin and Claire Lehmann (New York: The Museum of Modern Art, New York, 2013), p. 163
Joséphine Bindé, "Jeff Koons trop cher pour les musées français," Télérama (France), November 25, 2014 https://www.telerama.fr/sortir/jeff-koons-trop-cher-pour-les-musees-francais,119510.php
Thomas Crow, "American Idol," Review of Jeff Koons: A Retrospective, Artforum 53, no. 1 (September 2014)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 18, 52, 285 (color ill. p. 52, pl. 15)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 60, 297 (color ill. p. 60, pl. 15)

Michaël Amy, "A Supreme Trouble-Maker in Crowd-Pleasing," Sculpture 34, no. 2 (March 2015), p. 57 (color ill. p. 56)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 20, 56, 297 (color ill. p. 56, pl. 15)
Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of the Exhibition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 29 (color ill. p. 29)
Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 24 (color ill. p. 25)
Gregory Heldberg, Degas' Little Dancer, Aged Fourteen: The earlier version that helped spark the birth of modern art (Stuttgart: Arnoldsche, 2016), p. 257 (color il. p. 267, fig. 302)
Xa Sturgis and Norman Rosenthal, Jeff Koons at the Ashmolean, exh. cat. (Oxford: Ashmolean Museum, 2019) (color ill. p. 17)
Jeff Koons: Mucem. Works from the Pinault Collection, exh. cat. (Paris: Éditions Dilecta, 2021), p. 107
Paul Laster, "Jeff Koons in His Own Words," Ocula (London, UK), January 5, 2022 https://ocula.com/magazine/conversations/jeff-koons/
Heinz-Norbert Jocks, "Jeff Koons: Der Mythos Des Apollon," Kunstforum, January-February 2023 (color ill. p. 174) https://www.kunstforum.de/artikel/jeff-koons-6/

New Hoover Convertible, New Shelton Wet/Dry 10 Gallon Doubledecker
1981

two vacuum cleaners, acrylic, and fluorescent lights
99 x 28 x 28 inches
251.5 x 71.1 x 71.1 cm

Venice, Palazzo Grassi, ‘Where are We Going?': Selections from the François Pinault Collection, April 30 – October 1, 2006
Venice, Palazzo Grassi, The François Pinault Collection – A Post-Pop Selection. November 11, 2006 – March 11, 2007
New York, Haunch of Venison, Your history is not our history, March 5 – May 1, 2010
Basel, Fondation Beyeler, Jeff Koons, May 13, 2012 – September 2, 2012
Marseille, Musée des Civilisations de l'Europe et de la Méditerranée, Jeff Koons Mucem: Works from the Pinault Collection, May 19 – October 18, 2021
Paris, Bourse de Commerce, Le monde comme il va, March 20 – September 23, 2024
Lee Wohlfert, "Arts & Antiques: New York's Young Sculptors," Town & Country 135, no. 5017 (September 1981), p. 261 (color ill.)
Pierre Florence, Energie New-York, exh. cat. (Saint-Etienne: Rene Vasti Imprimeur, 1981), p. 24 (ill. p. 24)
Jeanne Siegal, "Jeff Koons: Unachievable States of Being," Arts Magazine 61, no. 2 (October 1986), p. 68
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 165
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 150 (color ill.)
Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), p. 98 (color ill.)
Alison M. Gingeras and Jack Bankowsky, eds., Where are We Going?: Selections from the François Pinault Collection, exh. cat. (Venice, Italy: Palazzo Grassi, 2006), p. 242 (color ill.)
Sarah Cosulich Canarutto, Jeff Koons: Supercontemporanea Series, ed. Francesco Bonami, exh. cat. (Verona: Monsadori Printing, 2006), p. 26-27 (color ill.)
Rex Butler, "Andy Warhol and the "Religious" Dimension of Contemporary Art," Reading Room: A Journal of Art and Culture 2 (2008), p. 31 (color ill.)
Hans Werner Holzwarth, Jeff Koons (Cologne: Taschen, 2008), pp. 130, 131 (color ill.)
David Salle, Your History is Not Our History, exh cat. (New York: Haunch of Venison, 2010), p. 43 (color ill. p. 43)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz publishers, 2012), pp. 52, 203 (color ill. p. 53)

Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal, ed. Matthew Taylor (London: Flammarion, 2014), p. 104 (color ill. p. 104)
"Interrogations sur Jeff Koons au Mucem, Œuvres de la Collection Pinault à Marseille," En Revenant de l'Expo! (France), May 10, 2021 (color ill.) https://www.enrevenantdelexpo.com/2021/04/30/jeff-koons-mucem-a-oeuvres-de-la-collection-pinault/
Donnia Ghezlane-Lala, "L’art kitsch et néo-pop de Jeff Koons est exposé à Marseille," Konbini (France), May 17, 2021 (color ill.) https://arts.konbini.com/artcontemporain/lart-kitsch-et-neo-pop-de-jeff-koons-est-expose-a-marseille
Alexandre Parodi, "Jeff Koons en 5 œuvres kitsch et provocatrices," Numéro (France), May 24, 2021 (color ill.) https://www.numero.com/fr/art/jeff-koons-mucem-collection-pinault#slide141274
Beaux Arts - Jeff Koons Mucem, Oeuvres de la Collection Pinault, Beaux Arts Éditions, May 2021, pp. 6, 25, 27 (color ill. p. 40)
Olga Bibiloni, "Quand Jeff Koons badine avec le fonds du Mucem," La Provence (France), May 2021 (color ill.)
Pietro Mini, "a dialogue with artist jeff koons: trust in yourself!" Designboom, September 28, 2021 https://www.designboom.com/art/dialogue-artist-jeff-koons-trust-in-yourself-09-28-2021/
Ondřej Krynek, "Jeff Koons exhibits his iconic sculptures from the past 35 years in Marseille," DesignMag (Czech Republic), October 2, 2021 (color ill., Mucem installation) https://www.designmag.cz/udalosti/99351-jeff-koons-vystavuje-v-marseille-sve-ikonicke-sochy-za-poslednich-35-let.html
Jeff Koons: Mucem, Works from the Pinault Collection (Paris: Éditions Dilecta, 2021), pp. 1, 39 (color ill.), pp. 70, 170, 171, (title p. 38; color ill. p. 1; color ill. p. 39)
Jeff Koons: Mucem, Oeuvres de la Collection Pinault (Paris: Beaux Arts & Cie) exh. cat. 2021, p. 40 (color ill.), pp. 6, 25, 27
Le monde comme il va, ed. Jean-Marie Gallais, exh. cat. (Paris: Éditions Dilecta, 2024), pp. 94, 95 (color ill. p. 95)

New Shelton Wet/Drys Tripledecker
1981

three vacuum cleaners, acrylic, and fluorescent lights
124 1/2 x 28 x 28 inches
316.2 x 71.1 x 71.1 cm

New York, Artists Space, A Likely Story, February 20 – March 27, 1982
Chicago, Renaissance Society, University of Chicago, A Fatal Attraction: Art and the Media, May 2 – June 12, 1982
Tampa, University of South Florida, Objects, Structures, Artifice, April 9 – May 30, 1983
New York, John Weber Gallery, Science Fiction, 1983
New York, Artists Space, The Los Angeles - New York Exchange, May 21-July 2, 1983
Los Angeles, LACE, The Los Angeles - New York Exchange, June – July 16, 1983
Baltimore, School 33, New Sculpture, March 1984
Stamford, Connecticut, Affiliations: Recent Sculpture and its Antecedents. Whitney Museum of American Art at Champion, June 28 – August 24, 1985
New York, The New Museum of Contemporary Art, Damaged Goods: Desire and the Economy of the Object, June 21 – August 10, 1986
Frankfurt, Schirn Kunsthalle Frankfurt, Prospect 86: Eine internationale Ausstellung aktueller Kunst. Frankfurter Kunstverein, September 9 – February 11, 1986
London, Saatchi Gallery, NY Art Now: The Saatchi Collection, September 8, 1987 – January 1, 1988
Minneapolis, Walker Art Center, Jeff Koons: A Retrospective, July 1 – October 3, 1993
Basel, Fondation Beyeler, Jeff Koons, May 13 – September 2, 2012
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014
Paris, The Centre Pompidou, Jeff Koons: La Retrospective, November 26, 2014 – April 27, 2015
Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015
Oxford, Ashmolean Museum, Jeff Koons at the Ashmolean, February 7 – June 9, 2019
Thomas Lawson, A Fatal Attraction (Chicago: The Renaissance Society at the University of Chicago, 1982), pp. 12, 31 (ill., p. 12 installation)
Alan Jones, "Jeff Koons," Review. Arts Magazine 58, no. 3 (November 1983), p. 11 (color ill. p. 11, John Weber installation)
Lisa Liebmann, "Science Fiction," Artforum, December 1983, p. 74
Roberta Smith, "Worldly Goods: The New York Side of the LA-NY Exchange," in The Los Angeles New York Exchange, exh. cat. (New York: Committee for the Visual Arts, August 1983) (ill.)

John Dorsey, "School 33 opens gallery to more artists," The Baltimore Sun, March 17, 1984
David Craven, "Science Fiction and the Future of Art," Arts Magazine, May 1984, p. 129 (ill. p. 125)
Peter Halley, "The Crisis in Cultural Geometry," Arts Magazine 58, no. 10 (June 1984) (ill. p. 114)
Peter Halery, Collected Essays 1981-87, Zurich 1987, p. 99
Jeffrey Deitch and Matthew Collings, "Mythologies: Art and the Market," Artscribe, no. 57 (April/May 1986), p. 21 (ill. p. 22)
Brian Wallis, "A Product You Could Kill For," in Damaged Goods: Desire and the Economy of the Object, ed. Brian Wallis, exh. cat. (New York, The New Museum of Contemporary Art, 1986) (ill. p. 30)
Vivien Raynor, "Art: Objects are Subject of 'Damaged Goods'," The New York Times, July 18, 1987
Ronald Jones, "Damaged Goods: The New Museum of Contemporary Art," Flash Art, October / November 1986 (ill. p. 73, Damaged Goods installation)
Seth Edenbaum, "Parody and Privacy," Arts 62 no. 2 (October 1987), p. 44\
Dan Cameron, NY Art Now: The Saatchi Collection, exh. cat. (Milan: Giancarlo Politi Editore, 1987) p. 128 (color ill. p. 128)
The New Museum of Contemporary Art New York Tenth Anniversary 1977-1987 (New York: The New Museum of Contemporary Art, 1987), p. 32 (ill. p. 32, Damaged Goods installation)
Robert C. Morgan, "The Catalog and the Exhibition," CEPA Quarterly, 1987 (ill. p. 1, Damaged Goods installation)
Anthony Haden-Guest, "Art or Commerce? Kitschy, Kitschy Koons," Vanity Fair 54, no. 11 (November 1991), p. 256
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 48 (color ill. p. 48)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 153
Jeff Koons: 30 Postcards (Cologne: Taschen, 1992) (color ill.)
John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 16, 46, 131 (color ill. p. 46, pl. 7)
David D'Arcy, "The Art Frontier," Vanity Fair (February 1999), pp. 100-101
Bankowsky Jack, Jeff Wall, Alison Gingeras, Thomas Crow, Diedrich Diedrichsen, Tim Griffin, Stephen Prima, & Rhonda Lieberman, “Pop After Pop: A Roundtable,” ARTFORUM, October 2004, p. 168
Hans Werner Holzwarth, ed., Jeff Koons, Cologne 2008, p. 113, illustrated in color
Hans Ulrich Obrist. Jeff Koons: The Conversation Series. Germany: Verlag der Buchhandlung Walther Konig, 2009. [First draft] p. 92 [illustrated in b&w]
L. Marsova, "AO On Site - Basel - Artist talk with Jeff Koons at Fondation Beyeler, Thursday June 14, 2012," Art Observed, June 14, 2012 (color ill. Fondation Beyeler installation)
Botta, Carlotta Loverni. "Koons at the Fondation Beyeler," Vogue Italia 15 June 2012, online
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004) (color ill. p. 173)
Philippe Parreno, "Jeff Koons und Philippe Parreno in der Fondation Beyeler," (text in German) Artinside (2012), p. 16 (color ill. p. 16)
Jorge Daniel Veneciano, The Geometric Unconscious - Sheldon Museum of Art, Nebraska, exh. cat. (China: University of Nebraska Press, 2012) (color ill. p. 66, fig. 23)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), pp. 56, 203 (color ill. p. 57)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 18, 53, 285 (color ill. p. 53, pl. 18)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 61, 298 (color ill. p. 61, pl. 18)
Koons, Jeff & Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal. China: Thames & Hudson, 2014. p. 104
Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (London: Flammarion, 2014), p. 104
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27- October 19, 2014, p. 53, illustrated in color
Jeff Koons: La Rétrospective, L'Album de L'Exposition, eds. Julie Champion, Caroline Edde (Paris: Centre Pompidou, 2014), p. 11 (color ill. p. 11)
Jeff Koons: La Rétrospective, L'Album de L'Exposition, eds. Julie Champion, Caroline Edde (Paris: Centre Pompidou, 2014)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 20, 57, 297 (color ill. p. 57, pl. 18)
Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of the Exhibition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 30 (color ill. p. 30)
Xa Sturgis and Norman Rosenthal, Jeff Koons at the Ashmolean, exh. cat. (Oxford: Ashmolean Museum, 2019), p. 16 (color ill. p. 17)
"The most objective statement: the art of Jeff Koons and the readymade," Mas de Arte, February 10, 2020 (color ill.) https://masdearte.com/especiales/la-declaracion-mas-objetiva-el-arte-de-jeff-koons-y-el-readymade/
Pietro Mini, "a dialogue with artist jeff koons: trust in yourself!," Designboom, September 28, 2021 https://www.designboom.com/art/dialogue-artist-jeff-koons-trust-in-yourself-09-28-2021/
Jeff Koons. Shine, eds. Joachim Pissarro and Arturo Galansino, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021) (color ill. p. 172, John Weber Gallery installation 1983)
"Jeff Koons’ Philosophy of Perfection." Reflections. NOWNESS. 16 June 2014

New Shelton Wet/Drys 10 Gallon Doubledecker
1981

two vacuum cleaners, acrylic, and fluorescent lights
82 x 28 x 28 inches
208.3 x 71.1 x 71.1 cm

Chicago, The Renaissance Society at The University of Chicago, New Sculpture: Robert Gober, Jeff Koons, Haim Steinbach, May 7 – June 21, 1986
San Francisco Museum of Modern Art; Minneapolis Walker Art Center, Jeff Koons, December 10, 1992 – October 3, 1993
New York, Museum of Modern Art, On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, September 30, 1997 – January 20, 1998
New York, The Museum of Modern Art, Contemporary: Inaugural Installation, November 20, 2004 – July 11, 2005
New York, The Museum of Modern Art, Artist's Choice: Vik Muniz, Rebus, December 11, 2008 – February 23, 2009
New York, The Museum of Modern Art, Contemporary Collection, November 16, 2011 – February 9, 2014
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014
Melbourne, National Gallery of Victoria, MoMA at NGV: 130 Years of Modern and Contemporary Art, June 9 – October 7, 2018
Michael Klein, Objects, Structures, Artifice. American Sculpture 1970-1983, ed. Michael Klein (SVC Fine Arts Gallery/Center Gallery, 1983) (color ill. p. 27)
Linda Cathcart, Artists Space: A Decade of New Art, exh. cat. (New York, Committee for the Visual Arts, 1984) (ill. p. 44)
Hal Foster, "The Future of an Illusion, or The Contemporary Artist as Cargo Cultist," in Endgame, Reference and Simulation in Recent Painting and Sculpture, exh. cat. (Cambridge: MIT Press, 1986), p. 115
Frank Owen, "Neo Geo: 1960s Pop Art Re-Invents Itself in the Form of Late 1980s Consumer Kitsch," i-D, February 1987, p. 91
Allan Schwartzman, "The Yippie-Yuppie Artist," Manhattan Inc., December 1987, p. 139
Post-Abstract Abstraction, exh. cat. (Aldrich: Aldrich Contemporary Art Museum, 1987), p. 41 (ill. p. 41)
Marcia E. Vetrocq, “Vexed in Venice,” Art in America, October 1990, p. 156
Peter Schjeldahl, “Jeff Koons,” in OBJECTives: The New Sculpture, exh. cat. (Newport Beach: Newport Harbor Art Museum; New York: Rizzoli, 1990), p. 86 (ill. p. 85)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 150
Robert Storr and Kurt Varnedoe, On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, exh. cat. (New York: The Museum of Modern Art, H.N. Abrams, 1997) (color ill. p. 76-77)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 111 (color ill. p. 111)
Francesco Pellizzi, "Beauty and the Beast" Notes on Cross-Cultural Aesthetics" in The Many Faces of Beauty, ed. Vittorio Hösle, (University of Notre Dame Press, 2013) (color ill. p. 177)
Thomas Crow, "American Idol," Review of Jeff Koons: A Retrospective, Artforum 53, no. 1 (September 2014)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 18, 53, 285 (color ill. p. 53, pl. 17)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 61, 298 (color ill. p. 61, pl. 17)
Michaël Amy, "A Supreme Trouble-Maker in Crowd-Pleasing," Sculpture 34, no. 2 (March 2015), p. 58
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 20, 57, 301 (color ill. p. 57, pl. 17)
"Jeff Koons: High art or plain extravagance?" Al Jazeera, August 22, 2015
MoMA Highlights Postcard Set of 100 (New York: The Museum of Modern Art, New York, 2019) (color ill.)

New Shelton Wet/Dry 10 Gallon
1981-1986

vacuum, acrylic, and fluorescent lights
41 x 28 x 28 inches
104.1 x 71.1 x 71.1 cm

A Brokerage of Desire, exh. cat. (Los Angeles: The Otis Art Institute of Parsons School of Design, 1986), p. 23 (ill. p. 23)
Artschwager: His Peers and Persuasion 1963-1988, exh. cat. (Daniel Weinberg Gallery, 1988), p. 45 (color ill. p. 45)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 47 (color ill. p. 47)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 127 (color ill. p. 127)
Raphaël Bouvier, Jeff Koons - Der Künstler als Täufer (Germany: Wilhelm Fink Verlag, München, 2012) (ill. p. 244, pl. 2)

New Shelton Wet/Drys 10 Gallon, New Shelton Wet/Drys 5 Gallon Doubledecker
1981–1986

four vacuum cleaners, acrylic, and fluorescent lights
82 x 52 x 28 inches
208.3 x 132.1 x 71.1 cm

Berkeley, University Art Museum, University of California, 1987 – May 1988
New York, Museum of Modern Art, High and Low: Modern Art and Popular Culture, October 7, 1990 – January 15, 1991; Chicago, The Art Institute of Chicago, February 20 – May 12, 1991; Los Angeles, Museum of Contemporary Art, Los Angeles, June 21 – September 15, 1991
High and Low: Modern Art and Popular Culture, exh. cat., ed. Kirk Varnedoe and Adam Gopnik (New York: The Museum of Modern Art, 1990) (color ill. p. 395)
John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 49, 131 (color ill. p. 49, pl. 9)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 47, 164 (color ill. p. 47)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 132 (color ill. p. 132)
David Littlejohn, "Who is Jeff Koons and why are people saying such terrible things about him?" ARTnews 92, no. 4 (April 1993), p. 93 (ill.)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 132 (color ill. p. 132)
"Jeff Koons’ Philosophy of Perfection." Reflections. NOWNESS. 16 June 2014

New Hoover Convertibles, Green, Blue, New Hoover Convertibles Green, Blue Doubledecker
1981–1987

four vacuum cleaners, acrylic, and fluorescent lights
116 x 41 x 28 inches
294.6 x 104.1 x 71.1 cm

Los Angeles, Daniel Weinberg Gallery, The New: Encased Works 1981-1986, December 5, 1987 – January 16, 1988
New York, Whitney Museum of American Art, The Elusive Object: Recent Sculpture from the Permanent Collection of the Whitney Museum of American Art, 1993
Basel, Fondation Beyeler, Jeff Koons, May 13, 2012 – September 2, 2012
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014
Andrew Renton, “Super Star,” Blitz Magazine (London), no. 85 (January 1990), p. 58
Walter Robinson and Anastasia Wilkes, "Spring Auction Report," Art in America, June 1, 1991
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 153
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 47 (color ill. p. 47)
David Littlejohn, “Who is Jeff Koons and Why Are People Saying Such Terrible Things About Him?” Artnews, April 1993 (color ill. p. 93)
Pamela Gruninger Perkins, The Elusive Object: Recent Sculpture from the Permanent Collection of the Whitney Museum of American Art, exh. cat. (New York: Whitney Museum of American Art at Champion, 1993)
Johanna Drucker, American Art at the End of the 20th Century (New York: Whitney Museum of American Art, 1996) (ill. p. 26)
Beth Venn and Adam D. Weinberg, American Art of the Twentieth Century: Treasures of the Whitney Museum of American Art (New York: Abbeville Publishing Group and The Whitney Museum of American Art, 1998) (color ill. p. 258)
American Visionaries: Selections from the Whitney Museum of American Art, Maxwell Anderson (New York: Harry N. Abrams, Inc., Whitney Museum of American Art, 2001) (color ill. p. 3, installation; color ill. p. 168)
Scott Rothkopf, “Screen Test: Jeff Koons’s Olive Oyl,” Artforum 43, no. 2 (October 2004) (color ill. p. 167)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 135 (color ill. p. 135)
MoMA Highlights since 1980; MoMA Contemporary Highlights: 250 Works since 1980 from The Museum of Modern Art, New York, ed. Rebecca Roberts (New York: The Museum of Modern Art, New York, 2007) (color ill. p. 29)

Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), pp. 60, 203 (color ill. p. 61)
John Waters, "Jeff Koons in Conversation with John Waters," Gagosian Quarterly, Summer 2014 (color ill. p. 90)
L. Marsova, "AO On Site - Basel - Artist talk with Jeff Koons at Fondation Beyeler, Thursday June 14, 2012," Art Observed, June 14, 2012 (color ill. Fondation Beyeler installation)
David Everitt Howe, "Jeff Koons: A Retrospective," ArtReview 66, no. 6 September 2014 (color ill. p. 179)
Richard Lacayo, "Show Me the Bunny: As he closes in on 60, Jeff Koons finally gets his really big show," TIME Magazine 184, no. 1 (July 7/July 14, 2014), p. 92
Carol Vogel, “Think Big. Build Big. Sell Big,” The New York Times, June 11, 2014 (color ill.) http://nyti.ms/SNWKIC
Stephanie Murg, "Jeff Koons' First Retrospective Debuts," Gotham, June 24, 2014 (color ill., detail from Whitney installation) http://gotham-magazine.com/living/articles/jeff-koons-first-retrospective-at-the-whitney
Tom Simpson, “King of Pop: 35 years of Jeff Koons art-in-pictures,” The Guardian, June 25, 2014 (color ill.) https://www.theguardian.com/artanddesign/gallery/2014/jun/25/king-of-pop-30-years-of-jeff-koons-art-in-pictures
John Waters, "Jeff Koons in Conversation with John Waters," Gagosian Quarterly, Summer 2014 (color ill. p. 90)
David Everitt Howe, "Jeff Koons A Retrospective," ArtReview (September 2014), p. 178 (color ill. p. 179)
Thomas Crow, "American Idol," Review of Jeff Koons: A Retrospective, Artforum 53, no. 1 (September 2014),
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 18, 52, 59, 285 (color ill. p. 52, pl. 16; color ill. p. 59, fig. 6, Whitney Museum of American Art installation)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 60, 67, 297 (color ill. p. 60, pl. 16; color ill. p. 67, fig. 6, Whitney Museum installation), pp. 20, 56, 62, 201 (color ill. p. 56, pl. 16; color ill. p. 63, fig. 6, Whitney Museum of Art installation)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015)
Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 24 (color ill. p. 25)
Whitney Museum of American Art, Handbook of the Collection, ed. Dana Miller (New York: Whitney Museum of American Art, Yale University Press, 2015), p. 209 (color ill. p. 209)
Pietro Mini, "a dialogue with artist jeff koons: trust in yourself!," Designboom, September 28, 2021 https://www.designboom.com/art/dialogue-artist-jeff-koons-trust-in-yourself-09-28-2021/
""Sculpture" that eliminates the "hollow of shame"," The Surface of the Sculpture, Musashino Art university Press (Tokyo, Japan), 2021 (black and white ill. p. 101)
"Jeff Koons’ Philosophy of Perfection," Reflections. NOWNESS, June 16, 2014

New Hoover Deluxe Shampoo Polishers, New Shelton Wet/Dry 10 Gallon Displaced Tripledecker
1981–1987

four shampoo polishers, vacuum cleaner, acrylic, and fluorescent lights
91 x 54 x 28 inches
231.1 x 137.2 x 71.1 cm

Los Angeles, Daniel Weinberg Gallery, The New: Encased Works 1981-1986, December 5, 1987 – January 16, 1988
Chicago, Museum of Contemporary Art, Chicago, Jeff Koons, May 31 – September 21, 2008
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014
I. Michael Danoff, Jeff Koons, exh. cat. (Chicago: Museum of Contemporary Art Chicago, 1988), pp. 14, 39 (ill. p. 14, pl. 7)
Neal Benezra, "Gerald S. Elliott," Galeries Magazine International Edition, no. 37 (June/July 1990), p. 126 (color ill., detail of installation image in Gerarld Elliott collection)
Robert Storr, "Jeff Koons - Gym Dandy," Interview. Art Press 151 (October 1990), p.16 (color ill. p. 16)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 49, 165 (color ill. p. 49)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 152
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 132 (color ill. p. 132)
Graham Bader, "Jeff Koons," Artforum, September 2008 (color ill. p. 450, installation)
Jeff Koons, ed. Francesco Bonami, exh. cat. (New Haven and London: Yale University Press, 2008), pp. 29, 30, 113 (color ill. pp. 28-29, detail; color ill. p. 31)
Art G. Artner, "Koons epitimizes talk and no real vision," Chicago Tribune, June 1, 2011 (color ill. Section 7, p. 7)
Mark Rosenthal, Marla Prather, Ian Alteveer, and Rebecca Lowery, Regarding Warhol: Sixty Artists, Fifty Years, exh. cat. (New York: The Metropolitan Museum of Art, 2012), pp. 27 (color ill. p. 27)
Jack, Bankowsky, Jeff Wall, Alison Gingeras, Thomas Crow, Diedrich Diedrichsen, Tim Griffin, Stephen Prima, & Rhonda Lieberman, “Pop After Pop: A Roundtable,” Artforum, October 2004. p. 167
Jeff Koons. Chicago: MCA Chicago and Yale University Press, 2008, p.31 (color ill. cover; color ill. p. 31)
Thomas Crow, "American Idol," Review of Jeff Koons: A Retrospective, Artforum 53, no. 1 (September 2014) (color ill. p. 312, installation)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 18, 57, 285 (color ill. p. 57, pl. 22)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 65, 297 (color ill. p. 65, pl. 22)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 20, 61, 302 (color ill. p. 61, pl. 22)
The Broad Collection, ed. Joanne Heyler with Ed Schad and Chelsea Beck (Los Angeles: The Broad, Delmonico Books an imprint of Prestel Publishing, 2015), pp. 85-86(color ill. p. 25)
Robert Storr, Interviews on Art (London: HENI Publishing, 2017) (color ill. p. 387)
"Jeff Koons: High art or plain extravagance?" Al Jazeera, August 22, 2015

New Hoover Quadraflex, New Hoover Convertible, New Hoover Dimension 900, New Hoover Dimension 1000 Doubledecker
1981-1986

four vacuum cleaners, acrylic, and fluorescent lights
98 x 52 1/2 x 28 inches
248.9 x 133.4 x 71.1 cm

Chicago, The Renaissance Society at The University of Chicago, After and Before, March 13 – April 17, 1994
Alan Jones, "Jeff Koons: Et qui libre," Galeries Magazine, no. 15 (October 1986), (color ill. p. 95)
Fundación Caja de Pensiones Art and Its Double: A New York Perspective, exh. cat. (Madrid, Spain: Fundación Caja De Pensiones, 1987), p. 147 (color ill. p. 73, image 47)
Kevin Power, "Art & Its Double: Fundacio Caixa de Pensiones, Barcelona," Flash Art, March 1987, p. 113 (ill. p. 113)
Robert Pincus-Whitten, "Electrostatic Cling: Or the Massacre of Innocence," Artscribe, no. 64 (Summer 1987) (color ill. p. 38, Whitney Biennial installation)
Andrew Graham-Dixon, "Neo Geo," Vogue 144, no. 9 (September 1987), p. 363
Georg Herold, Jeff Koons and Isabelle Graw, "Atlantisches Bündnis," Wolkenkratzer (Germany), January 1988 (color ill.)
Roberta Smith, "Investigating the Ordinary" and Rituals of Consumption," Art in America, May 1988, p. 167 (color ill. p. 167)
I. Michael Danoff, Jeff Koons, exh. cat. (Chicago: Museum of Contemporary Art Chicago, 1988), p. 43 (ill. p. 42)
Encontros Luso-Americanos de Arte Contemporanea/Portuguese-American Meetings on Contemporary Art: Contemporary American Sculpture, Signs of Life, ed. by Fernando de Azevedo, Judith Russi Krishner (Lisbon: Fundacao Calouste Gulbekian, 1989)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 48 (color ill. p. 48)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 152
American Art in the 20th Century: Painting and Sculpture 1913-1993, eds. Christos M. Joachimides and Norman Rosenthal (Munich / London/Berlin: Prestel-Verlag, Royal Academy of Arts, ZEITGEIST-Gesellschaft e. V., 1993) (color ill. pl. 248)
Collective Vision: Creating a Contemporary Art Museum, exh. cat. (Chicago: Museum of Contemporary Art Chicago, 1996), p. 19 (color ill. p. 19)
Christos M. Joachimides and Norman Rosenthal, Editors, The Age of Modernism: Art in the 20th Century, Berlin: Hatje, 1997 illustrated in color cat. 335
Mireia Sentis, "The importance of being banal," International Art Magazine (Spain) 6, no. 60 (2000) (ill. p. 41)
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004), p. 167
Jeff Koons, ed. Francesco Bonami, exh. cat. (New Haven and London: Yale University Press, 2008), p. 27 (color ill. p. 27, Museum of Contemporary Art Chicago installation);
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 134 (color ill. p. 134)

New Hoover Celebrity IV, New Hoover Convertible, New Shelton 5 Gallon Wet/Dry, New Shelton 10 Gallon Wet/Dry Doubledecker
1981–1986

four vacuum cleaners, acrylic, and fluorescent lights
99 x 53 1/2 x 28 inches
251.5 x 135.9 x 71.1 cm

London, Saatchi Gallery, NY Art Now: The Saatchi Collection, September 8, 1987 – January 1, 1988

Paris, Galeries Contemporaines, Centre Georges Pompidou, Cartes Blanches, Les Courtiers du Desir, April 15 – May 24,1987

New York, C&M Arts, Jeff Koons: Highlights of 25 Years, April 7 – June 5, 2004

Greenwich, Brant Foundation Art Study Center, Remembering Henry's Show: Selected Works 1978-2008, May 9, 2009 – January 1, 2010
Carte blanche, Les courtiers du desir, exh. cat., eds., Howard Halle and Walter Hopps (Georges Pompidou Art and Culture Fondation (U.S.A.), Centre Georges Pompidou, 1987, p. 55
Dan Cameron, NY Art Now: The Saatchi Collection, exh. cat. (Milan, Giancarlo Politi Editore, 1988), p. 134 (color ill. p. 134)
Michael Compton, "Pop Art II -- Jeff Koons & Co," Art & Design, July 1989, p. 44 (color ill. p. 44)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 165
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 150
Jeff Koons and Gerard Malanga, Andy Warhol: 5 Deaths, exh. cat. (New York: Stellan Holm Gallery, 2002), p. 21 (color ill. p. 21)
Francis M. Naumann and Thomas Girst, Aftershock: The Legacy of the Readymade in post-War and Contemporary Art, exh. cat. (New York: Dickinson Roundell Inc, 2003), p. 82 (color ill. p. 83)
Rainer Crone, Jeff Koons: Highlights of Twenty-Five Years (New York: C&M Arts, 2004), pp. 38, 80 (color ill. pl. 9, pp. 39, color ill. p. 80)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 129 (color ill. p. 128)
Marina Cashdan, "Sharing the Wealth," Whitewall, Fall 2009, p. 81 (color ill. p. 81, Brant Foundation installation)
Remembering Henry’s Show, exh. cat. (Greenwich, The Brant Foundation, 2010), pp. 64, 174 (color ill. p. 65; color ill. pp. 68-69, installation; color ill. p. 174)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), p. 59 (color ill. p. 59, fig. 9, Saatchi Gallery installation)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), p. 67 (color ill. p. 67, fig. 9, Saatchi Gallery installation
Jae-Su Kim, "A Magician of Creation and Destruction," (Text in Japanese) Art in Asia (Japan), August 2014 (color ill.)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), p. 63 (color ill. p. 63, fig. 9, Saatchi Gallery installation)
"Jeff Koons’ Philosophy of Perfection." Reflections. NOWNESS. 16 June 2014

New Shelton Wet/Dry 5 Gallon, New Hoover Convertible Doubledecker
1981–1987

two vacuum cleaners, acrylic, and fluorescent lights
99 x 28 x 28 inches
251.5 x 71.1 x 71.1 cm

London, Saatchi Gallery, NY Art Now: The Saatchi Collection, September 8, 1987 – January 1, 1988
Paris, Galeries Contemporaines, Centre Georges Pompidou, Cartes Blanches, Les Courtiers du Desir, April 15 – May 24,1987
New York, C&M Arts, Jeff Koons: Highlights of 25 Years, April 7 - June 5, 2004

Greenwich, Brant Foundation Art Study Center, Remembering Henry's Show: Selected Works 1978-2008, May 2009 – January 2010
Carte blanche, Les courtiers du desir, exh. cat., eds., Howard Halle and Walter Hopps (Georges Pompidou Art and Culture Fondation (U.S.A.), Centre Georges Pompidou, 1987), p. 55
Dan Cameron, NY Art Now: The Saatchi Collection, exh. cat. (Milan: Giancarlo Politi Editore, 1988) (color ill. p. 134)
Donald Kuspit, "Breakfast of Duchampians," Contemporanea 2, no. 3 (May 1989) (color ill. p. 70)
Michael Compton, "Pop Art II -- Jeff Koons & Co," Art & Design, July 1989, p. 44 (color ill. p. 44)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 49, 165 (color ill. p. 49)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 153
Andy Warhol: 5 Deaths, exh. cat. (New York: Stellan Holm Gallery, 2002) (color ill. p. 21)
Francis M. Naumann and Thomas Girst, "Aftershock: The Legacy of the Readymade in post-War and Contemporary Art," exh. cat. (New York: Dickinson Roundell Inc, 2003), p. 82 (color ill. p. 83)
Rainer Crone, Jeff Koons: Highlights of 25 Years, exh. cat. (New York: C&M, 2004), pp. 38, 80 (color ill. pl. 9, pp. 39, 80)
Marga Paz, Taschen Collection, exh. cat. (Cologne: Taschen, 2004), p. 120 (color ill. p. 120)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 128 (color ill. p. 128)
Marina Cashdan, "Sharing the Wealth," Whitewall, Fall 2009 (color ill. p. 81, Brant Foundation installation)
Remembering Henry’s Show: Selected Works 1978-2008, exh. cat., (Greenwich: The Brant Foundation Art Study Center, 2010), pp. 64 (color ill. p. 65, Brant Foundation installation; color ill. pp. 68-69, Brant Foundation installation; color ill. p. 175)
Ghosts in the Machine, exh. cat., ed. Massimiliano Gioni, Gary Carrion-Murayari (New York: Skira Rizzoli Publications, 2012) (color ill. p. 32)
Jae-Su Kim, "A Magician of Creation and Destruction," (Text in Japanese) Art in Asia (Japan), August 2014 (color ill.)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), p. 59 (color ill. p. 59, pl. 9, Saatchi Gallery installation)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), p. 67
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), p. 63 (color ill. p. 63, fig. 9, Saatchi Gallery installation)

New Hoover Convertibles Green, Green, Red, New Hoover Deluxe Shampoo Polishers, New Shelton Wet/Dry 5 Gallon Displaced Tripledecker
1981–1987

four vacuum cleaners, two shampoo polishers, acrylic, and fluorescent lights
123 x 54 x 28 inches
312.4 x 137.2 x 71.1 cm

Los Angeles, Daniel Weinberg Gallery, The New: Encased Works 1981-1986, December 5, 1987 – January 16, 1988
Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993
Porto, Portugal, Fundacao De Serralves, Arca de Noe/Noah's Ark, November 29, 1994 – February 19, 1995
Villeneuve d'Ascq, Musee d'Art Moderne, Soyons serieux... points de vue sur l'art des annees 80-90, October 14, 1995 – January 14, 1996
Bayonne, Musée Bonnat, Consommation/Contemplation, February 2 – March 10, 1996
Bayonne, Musée Bonnat, Perdu, gagne c'est oublié, March 23 – April 28,1996
Nice, Musee d'Art Moderne et Contemporaine, Chimeriques polymere la plastique dans l'art du xx siecle, June 29 – September 15, 1996
Centre National d'Art Contemporain de Grenoble, Dramatically Different, January 1 – February 1, 1997
Lisbon, Culturgest, Galerias 1 e 2, Edificio-Sede da Caixa General de Deposito, Anos 80 - The Eighties, May 12 – August 31, 1998
Munich, Haus der Kunst, Dinge in der Kunst des XX. Jahrhunderts, September 2 – November 19, 2000
CAPC Musee d'Art Contemporain de Bordeaux, Collections en mouvement, 2001
CAPC Musee d'Art Contemporain de Bordeaux, La vie, au fond, se rit du vrai, May 24 – September 8, 2002
Frankfurt, Schirn Kunsthalle; Liverpool, Tate Gallery, Shopping: 100 Jahre Kunst und Konsum, October 21 – December 1, 2002
Nantes, Musee des Beaux-Arts, Tresors publics, 20 ans de creation dans le Fonds Regionaux d'Art Contemporain. L'Etat des choses: l'object dans l'art de 1960 a aujourd'hui, June 26 – December 31, 2003
Kunsthalle Darmstadt, Schoner Leben, December 12, 2005 – March 12, 2006
Bordeaux, Conseil Regional d'Aquitaine, Pieces maitresses, December 22, 2007 – February 22, 2008
Versailles, Château de Versailles, Jeff Koons Versailles, October 9, 2008 – April 1, 2009
Basel, Switzerland, Fondation Beyeler, Jeff Koons. May 13 – September 2, 2012
Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 – April 27, 2015
Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015
Mexico City, Museo Jumex, Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, May 19 – September 29, 2019
Jean-Michel Foray, Jean-Pierre Criqui, L'Objet de l'Exposition, exh. cat. (Paris: Centre National des Arts Plastiques, 1988) (ill. p. 69, installation)
Jean-Christophe Ammann, "Der Fall Jeff Koons" inc Parkett, no. 19, Zurich 1989, p. 55 (ill. p. 55)
Art & Pub, exh. cat. (Paris: Musee National d'Art Moderne - Centre Georges Pomidou, 1990), p. 474 (ill. p. 474)
Un art de la distinction, exh cat. (Meymac, Abbaye Saint-Andre, Centre d'Art Contemporain, 1990), p. 102 (ill. p. 102)
Pierre Restany: le coeur et la raison, exh. cat. (Morlaix, Musee des Jacobins, 1990), p. 104 (ill. p. 104)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 49, 50 (color ill. installation, Weinberg Gallery)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 151
Albig Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art, December 1992, p. 55 (ill. p. 55)
L'ivresse du reel, Association Carre d'Art, Nimes, 1993, p. 154 (ill. p. 154)
Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), pp. 8, 98 (color ill. p. 9)
Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 24 (color ill. p. 24, pl. 6)
Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 24, 100 (color ill. p. 24)
Fernando Pernes, Arca de Noé / Noah's Ark, exh. cat. (Porto, Portugal: Fundacao de Serralves, 1995), p. 83 (color ill. p. 82-83)
Dramatically Different, exh. cat., ed. Eric Troncy and Yves Aupetitallot (Grenoble: Le Magazin, Centre National d'art Contemporain de Grenoble, 1998) (color ill. p. 49)
Michel Gauthier, "Tino Sehgal: La Loi du Livre," (Text in French) Les Cahiers du Mndm 101 (Pompidou: Automne 2017), p. 10 (ill. p. 26)
Le livre du FRAC-Collection Aquitaine - Panorama de l'art aujourd'hui (Le Festin / FRAC-Collection Aquitaine, 2002) (color ill. p. 337)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 131 (color ill. p. 131)
Valerie Duponchelle, "Jeff Koons a Versailles: Provocation ou Revolution?" Le Figaro 19 870 (France), June 19, 2008, p. 28
Phillipe Dagen, "Jeff Koons honore Louis XIV" in Le Monde, September 12, 2008 (color ill. p. 22, Versailles installation)
Jean-Max Colard and Judicael Lavrador, "L'impromptu de Versailles," (text in French) Les Inrockuptibles, no. 668 (September 16, 2008) (color ill. p. 76)
Raphael Morata, “Jeff Koons au Chateau de Versailles," Point de Vue, September 17-23, 2008, p. 65
Laurent Dandrieu, “Koons squate Versailles," Valeurs Actuelles, 3747 (September 18-24, 2008 (color ill. p. 75, Versailles installation)
Laurent Le Bon and Emanuelle Lequeux Interview in "Jeff Koons: Versailles," (French) Beaux Arts éditions, September 2008, p. 32
Philippe Dagen, "Evenement: Jeff Koons Versailles," artpress, November 2008, (color ill. p. 21, Versailles installation)
Stephanie Cash, "Koons Kitsch Meets Versailles Glitz," Art in America, November 2008 (color ill. p. 34)
Arnaid Demir, "king Koons," BC/BE Contemporary, Winter 2008 (color ill. p. 41, Versailles installation)
d.a.p, Spring 2009 (cover ill., Versailles installation)
Jean-Jacques Aillagon, Pierre Arizzoli-Clementel, Francois Pinault, Edouard Papet, Jean-Pierre
Criqui, Elena Guena, Laurent Le Bon, Michel Houllebecq, Jeff Koons: Versailles, exh. cat. (Paris: Editions Xavier Barral, 2009), pp. 84, 158 , 186 (color ill. p. 85, Versailles installation; color ill. p. 86, detail, Versailles installation; color ill. p. 87, Versailles installation; color ill. p. 158)
L. Marsova, "AO On Site - Basel - Artist talk with Jeff Koons at Fondation Beyeler, Thursday June 14, 2012," Art Observed, June 14, 2012 (color ill. Fondation Beyeler installation)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), pp. 64, 203 (color ill. p. 65)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 64, 297 (color ill. p. 64, pl. 21)
Jeff Koons: La Rétrospective, L'Album de L'Exposition, eds. Julie Champion, Caroline Edde (Paris: Centre Pompidou, 2014), p. 11 (color ill. p. 11)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), p. 297
Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 31 (color ill. p. 31)
Roberta Smith, "Stop Hating Jeff Koons," The New York times, May 17, 2019 (color ill. the Museo Jumex installation) https://www.nytimes.com/2019/05/17/arts/jeff-koons-auction-christies.html
Annette Lin, "Why Jeff Koons is a Natural Successor to Marcel Duchamp," Artsy, May 20, 2019, online (color ill. Jumex installation)
Clayton Press, "Marcel Duchamp + Jeff Koons, Appearance Stripped Bare (Apariencia Desnuda), Museo Jumex, Mexico City," Forbes, May 24, 2019 (color ill., incorrectly listed as Astrup Fearnley Collection, Oslo) https://www.forbes.com/sites/claytonpress/2019/05/24/marcel-duchamp-jeff-koons-appearance-stripped-bare-apariencia-desnuda-museo-jumex-mexico-city/#1397ff3b7e74
Stephanie Eckardt, "Is Jeff Koons Our Marcel Duchamp?" W Magazine, May 27, 2019 (color ill.) https://www.wmagazine.com/gallery/jeff-koons-marcel-duchamp-exhibit-museo-jumex-mexico-city/
Françoise Docquiert, "Koons, Duchamp, Warhol et les autres," Connaissance des Arts (France), October 2, 2019 (color ill. Jeff Koons: Versailles installation https://www.connaissancedesarts.com/art-contemporain/koons-duchamp-warhol-et-les-autres-11126675/
Massimiliano Gioni, Apariencia desnuda: El Deseo y el objeto en la obra de Marcel Duchamp y Jeff Koons, aun, exh. cat. (Mexico City: Museo Jumex, 2019) (color ill. p. 77)
Massimiliano Gioni, Appearance Stripped Bare, Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, exh. cat. (London: Phaidon, 2019) (color ill. 8; color ill. p. 77)
Isabelle Chanut, "Nouvelle-Aquitaine: The New Frac Dynamic," Aquitaine Online (France), January 6, 2020 (color ill., Collection Frac Nouvelle-Aquitaine MÉCA installation) http://www.aquitaineonline.com/actualites-en-aquitaine/sud-ouest/8449-la-nouvelle-dynamique-du-frac.html
Pietro Mini, "a dialogue with artist jeff koons: trust in yourself!," Designboom, September 28, 2021 https://www.designboom.com/art/dialogue-artist-jeff-koons-trust-in-yourself-09-28-2021/
Paul Laster, "Jeff Koons in His Own Words," Ocula (London, UK), January 5, 2022 https://ocula.com/magazine/conversations/jeff-koons/

New Hoover Convertibles, Green, Red, Brown, New Hoover Deluxe Shampoo Polishers Yellow, Brown Doubledecker
1981-1987

two shampoo polishers, three vacuum cleaners, acrylic, and fluorescent lights
83 x 54 x 28 inches
210.8 x 137.2 x 71.1 cm

Los Angeles, Daniel Weinberg Gallery, The New: Encased Works 1981-1986, December 5, 1987 – January 16, 1988
Potomac, Glenstone, The Inaugural Exhibition, September 2006 – January 2009
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 49 (color ill.p. 49)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 151
Albig Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art Das Kunstmagazine, no. 12 (December 1992), p. 55 (ill. p. 55)
Norman Rosenthal, Apocalypse: Beauty and Horror in Contemporary Art, exh cat. (London: Royal Academy of Art Publishing, 2000) (color ill. p. 231)
Rolf E. Breuer, Thomas Krens, David Sylvester, and Robert Rosenblum, Jeff Koons Easyfun-Ethereal, eds. Lisa Dennison, Robert Rosenblum, Craig Houser, exh. cat. (Berlin and New York: Guggenheim Museum Publications, 2000) (color ill. p. 29)
Ingrid Sischy, "Koons, High and Low," Vanity Fair, no. 487 (March 2001) (color ill. p. 270)
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004), p. 167 (color ill. p. 167)
"Auction Reviews - Postwar and Contemporary Art" in Art + Auction, July 2006 (color ill.)
Carly Berwick, "Sotheby's Scales New Heights with Contemporary Sales," The Sun 122, no. 19 (May 11, 2006), cover, 16 (color ill. p. 1)
Tatjana Rosenstein, “Bad Boy der Kunstszene,” Artinvestor, Germany, no. 3 (June 2006) (color ill. p. 39)
"Databank: The Night is Young," Art+Auction (May 2007), p. 224 (color ill. p. 224)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 135 (color ill. p. 135)
Glenstone: The Inaugural Exhibition, September 2006-December 2008, ed. Stephanie Rachum and Yve-Alain Bois (Potomac: Glenstone Foundation, 2008) (color ill. p. 30; color ill. pp. 36-37, Glenstone installation view)
Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 24 (color ill. p. 25)
Urban Theater: New York Art in the 1980s, exh. cat. (China: Skira Rizzoli Publications, 2014), p. 95

New Hoover Convertibles, New Shelton Wet/Drys 5 Gallon Doubledecker
1981–1987

five vacuum cleaners, acrylic, and fluorescent lights
99 x 54 x 28 inches
251.5 x 137.2 x 71.1 cm

Los Angeles, Daniel Weinberg Gallery, The New: Encased Works 1981-1987, December 5, 1987 – January 16, 1988
San Francisco, San Francisco Museum of Modern Art; Minneapolis, Walker Art Center, Jeff Koons, December 10, 1992 – October 3, 1993
Reykjavik, National Gallery of Iceland, Close-Up - Contemporary American Art in the Astrup Fearnley Collection, May 15 – June 6, 2004
Oslo, Astrup Fearnley Museum of Modern Art; Jeff Koons: Retrospective, September 4 – December 12, 2004; Helsinki, Helsinki City Art Museum, January 28 – April 10, 2005
Museum Morsbroich Leverkusen, Kavalierstart 1978-1982, April 20 – July 20, 2008
Sao Paulo, Bienal Pavillon, In the Name of the Artists: Contemporary American Art from the Astrup Fearnley Collection, September 30 – December 4, 2011
Stockholm, Moderna Museet, Sculpture after Sculpture - Fritsch, Koons, Ray, October 11, 2014 – January 18, 2015
Oslo, Astrup Fearnley Museet, Jeff Koons - Works from the Astrup Fearnley Collection, September 28 – November 29, 2018
Mexico City, Museo Jumex, Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, May 19 – September 29, 2019
Doha, Qatar Museums Al Riwaq Gallery, Jeff Koons: Lost in America, November 21, 2021 – March 31, 2022
Oslo, Astrup Fearnley Museum of Modern Art, Before Tomorrow – Astrup Fearnley Museet 30 Years, June 22 – October 8, 2023
Dwight V. Gast, "What's New in Contemporary Art," Diversion Magazine, September 1989, p. 22 (color ill. p. 22)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 48, 50 (Weinberg Gallery installation p. 48)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 151 (color ill. p. 41)
John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), p. 131
Albig Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art, December 1992, p. 5 (ill. p. 5)
Close-Up - Contemporary American Art in the Astrup Fearnley Collection, exh. cat. (Reykjavik: National Gallery of Iceland, 2004)
Jack, Bankowsky, Jeff Wall, Alison Gingeras, Thomas Crow, Diedrich Diedrichsen, Tim Griffin, Stephen Prima, & Rhonda Lieberman, “Pop After Pop: A Roundtable,” Artforum, October 2004, p. 175
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p.121 (color ill. p. 121)
"Design & Society," (Text in Hebrew) Studio: Israeli Art Magazine, August-September 2008, p. 18 (color ill. p. 18)
Francis Naumann, Jeff Koons: New Paintings, ed. Rebecca Sternthal, exh. cat. (Beverly Hills: Gagosian Gallery, 2010), pp. 3, 4 (color ill. p. 4, fig. 5)
Jonathan Fineberg, Art Since 1940 Strategies of Being, Third Edition, (London: Laurence King Publishing, 2011), p. 459 (color ill. p. 459)
Sculpture After Sculpture: Fritsch/Koons/Ray, ed. by Jack Bankowsky, exh. cat. (Ostfildern: Hatje Cantz, 2014)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014) (color ill. p. 67, Walker Art Center installation)
Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2015), p. 23
Jeff Koons: Works from the Astrup Fearnley Collection, ed. Gunnar B. Kvaran, exh. cat. (Oslo: Astrup Fearnley Museet, 2018), pp. 5, 13, 23 (color ill. p. 23)
Roberta Smith, "Stop Hating Jeff Koons," The New York times, May 17, 2019 (color ill. the Museo Jumex, Mexico City installation) https://www.nytimes.com/2019/05/17/arts/jeff-koons-auction-christies.html
Massimiliano Gioni, Appearance Stripped Bare, Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, exh. cat. (London: Phaidon, 2019) (title p. 78; color ill. p. 79)
Xa Sturgis, Jeff Koons at the Ashmolean, Ashmolean Museum, University of Oxford, 2019, p. 31
"Jeff Koons: "The purpose of art is to eliminate anxiety”," Investory News (Ukraine), July 28, 2020 (color ill.) https://investory.news/dzheff-kuns-meta-mistectva-usunennya-trivogi/
Jeff Koons. Lost in America, ed. Massimiliano Gioni, exh. cat. (Milan: Skira, 2021), p. 30 (color ill. p. 31)
Paul Laster, "Jeff Koons in His Own Words," Ocula (London, UK), January 5, 2022 https://ocula.com/magazine/conversations/jeff-koons/
Bianca Brigitte Bonomi, "Jeff Koons in Qatar: The American Artist’s Lost in America Exhibition Is One Not To Be Missed…," Harper's Bazaar Arabia, March 25, 2022 https://www.harpersbazaararabia.com/culture/art/jeff-koons-in-qatar
"Jeff Koons’ Philosophy of Perfection," Reflections. NOWNESS, June 16, 2014

New Hoover Deluxe Shampoo Polishers, New Hoover Quik-Broom, New Shelton Wet/Dry 5 Gallon, New Shelton Wet/Dry 10 Gallon Tripledecker
1981–1987

three shampoo polishers, three vacuum cleaners, acrylic, and fluorescent lights
91 x 54 x 28 inches
231.1 x 137.2 x 71.1 cm

Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993
Athens School of Fine Art; Copenhagen, Museum of Modern Art, Everything That's Interesting is New: The Dakis Joannou Collection, January 20 – April 20, 1996
Athens, DESTE Foundation Center for Contemporary Art, Jeff Koons: A Millennium Celebration, December 15, 1999 – May 15, 2000
Athens, DESTE Foundation Centre for Contemporary Art, Monument to Now, June 22 – December 31, 2004
Mexico City, Museo Jumex, Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, May 19 – September 29, 2019
Cultural Geometry, ed. by Jeffrey Deitch, exh. cat. (Athens: Deste Foundation for Contemporary Art, 1988), p. 57 (color ill. p. 57)
Horn of Plenty: Sixteen Artists from NYC, exh. cat. (Amsterdam: Stedelijk Museum, 1989), p. 100 (color ill. pp. 74-75)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 46, 164 (color ill. p. 46)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 152
Jeff Koons: 30 Postcards (Cologne: Taschen, 1992) (color ill.)
Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), p. 98
Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 25 (color ill. p. 25, pl. 7)
Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 25, 111 (color ill. p. 25)
The Art Magazine, March 1996 (color ill.)
The Dakis Joannou Collection: Everything That's Interesting is New, exh. cat., ed. Jeffrey Deitch (Ostfilden: Cantz/ DESTE Foundation Centre for Contemporary Art, 1996), p. 151 (color ill. p. 151)
Historia Del Arte 16, ed. Carlos Gispert (Barcelona: Instituto Gallach, Oceano Grupo Editorial, S.A., 1997), p. 2967 (color ill. pp. 2966)
The Eighties Anos 80, exh. cat., ed., Maria de Corral (Lisbon: Edificio-Sede da Caixa Geral de Depositos, 1998) (color ill. p. 111)
Jeffrey Deitch, Jeff Koons: A Millennium Celebration - Works from the Dakis Joannou Collection, 1979-1999, ed. Katerina Gregos. exh. cat. (Athens: Deste Foundation, 1999), pp. 18, 45 (color ill. p. 19)
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004), p. 167 (color ill. p. 167)
Valentina Agostinis, "Jeff Koons," Arte (November/ December 2004) (color ill. p. 67)
DESTE Foundation for Contemporary Art. Shortcuts from the Dakis Joannou Collection, exh. cat., The Nicosia Municpal Arts Centre, Assoicated with the Pierides Museum of Contemporary Art, 11/28/01-3/31/02. Greece: DESTE Foundation for Contemporary, 2002. p. 9 [detail of work installed in Cultural Geometry exhibition], p. 43 [installed in Everything that's interesting is ... new], p. 60 [installed in Jeff Koons: A Millennium Celebration 1979-1999], p. 63 [detail], p. 70-71 [installed in Forever], p. 76
Monument to Now, exh. cat., ed. Jeffrey Deitch (Athens, DESTE Foundation Centre for Contemporary Art, 2004),
Sarah Cosulich Canarutto, Jeff Koons: Supercontemporanea Series, ed. Francesco Bonami, exh. cat. (Verona: Monsadori Printing, 2006), p. 31 (color ill. p. 31)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 132 (color ill. p. 132)
John Stourton, Great Collectors of our Time: Art Collecting Since 1945 (London: Scala Publishers Ltd, 2007), p. 407
Susan M. Kirschbaum, “Dakis Joannou’s Secret House of Horrors. Candy for the Mind Under One Roof,” Whitewall, Spring 2008, p. 101 (color ill. pp. 98-99, DESTE; color ill. p. 103)
Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014), p. 107 (color ill. p. 107)
Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (London: Flammarion, 2014), p. 107 (color ill. p. 107)
Roberta Smith, "Stop Hating Jeff Koons," The New York times, May 17, 2019 (color ill. the Museo Jumex, Mexico City installation) https://www.nytimes.com/2019/05/17/arts/jeff-koons-auction-christies.html
An Album: Lietta & Dakis Joannou, Home Installations 1998-2019 (Athens: Deste, 2019) (color ill. 17; color ill. 70; color ill. 71; color ill. 73; color ill. 94; color ill. 95; color ill. 104; color ill. 105; color ill. 154; color ill. 155, all installation images)
Massimiliano Gioni, Appearance Stripped Bare, Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, exh. cat. (London: Phaidon, 2019) (color ill. p. 74)
Massimiliano Gioni and Natalie Bell, Jeff Koons: 2000 Words (Athens: Deste, 2019), pp. 13, 38, 121 (color ill. p. 39; color ill. p. 41, detail)
Massimiliano Gioni, Il desiderio messo a nudo, Conversazioni con Jeff Koons (Monza, IT: Johan & Levi editore, 2021) (color ill. p. 39)
Paul Laster, "Jeff Koons in His Own Words," Ocula (London, UK), January 5, 2022 https://ocula.com/magazine/conversations/jeff-koons/

New Hoover Convertibles Green, Red, New Shelton Wet/Dry 5 Gallon Displaced Doubledecker
1981–1987

three vacuum cleaners, acrylic, and fluorescent lights
99 x 41 x 28 inches
251.1 x 104.1 x 71.1 cm

Los Angeles, Daniel Weinberg Gallery, The New: Encased Works 1981-1987, December 5, 1987 – January 16, 1988
Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993
Paris, Galerie Jerôme de Noirmont, Jeff Koons, September 30 - November 29, 1997, September 1997
Berlin, Daimler Chrysler Contemporary, Private/Corporate II, Works from the Daimler Chrysler Collection and from the Ileana Sonnabend Collection: A Dialogue, September 3, 2003 – November 23, 2003
Vienna, Sammlung Essl – Kunst der Gegenwart, Visions of America: Contemporary art from the Essl collection and the Sonnabend collection New York, October 2004 – March 2005
Doha, Qatar Museums Al Riwaq Gallery, Jeff Koons: Lost in America, November 21, 2021 – March 31, 2022
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 48, 165 (color ill. p. 48)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 151
Albig Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere" in Art, December 1992, p. 55, illustrated [confirm correct piece]
Jens Erik Sorenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sorenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), p. 111
France Huser, "Jeff Koons: L'Irrévérencieux," (text in French) L'Officiel (Paris), no. 820 (November 1997) (color ill. p. 157)
Hans Ulrich Obrist, Koons, exh. cat. (Paris: Galerie Jérôme de Noirmont, 1997), pp. 18, 82 (color ill. p. 19)
Alexi Worth, "Dealer's Weal," Artforum 40, No. 10, Summer 2002, p. 43 (color ill. p. 43)
From Pop to Now: Selections from the Sonnabend Collection, exh. cat. (New York: Sonnabend Gallery, 2002) (color ill. 137)
Eric Troncy, "Le Manége Enchanté," Les Inrockuptibles, January 2003 (color ill. p. 42)
Private/Corporate II, Works from the DaimlerChrysler Collection and from the Ileana Sonnabend Collection: A Dialogue, exh. cat. (Berlin: 2003) (color ill. p. 3; color ill. p. 35)
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004), p. 168
Visions of America: Contemporary art from the Essl collection and the Sonnabend collection New York, exh. cat. (Sammlung Essl – Kunst der Gegenwart Vienna, 2004), pp. 108, 261
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 131 (color ill. p. 131)
Blitzen-Benz Bang - Daimler Art Collection: Mixed Media, Sculptures, Commissioned Works, exh. cat., ed. by Renate Wiehager (Ostfildern: Hatje Cantz, 2009), (color ill. p. 313, installation, text "P/C II, Berlin 2003: Jeff Koons, Haim Steinbach")
Florence Dartois, "1997, Jeff Koons : "Pour moi, l'art est de l'ordre du rationnel"," Institut National d l'Audiovisuel (France), April 10, 2019 https://www.ina.fr/contenus-editoriaux/articles-editoriaux/1997-jeff-koons-pour-moi-l-art-est-de-l-ordre-du-rationnel/
Jeff Koons. Lost in America, ed. Massimiliano Gioni, exh. cat. (Milan: Skira, 2021), p. 32 (color ill. p. 33)

New Hoover Convertibles, New Shelton Wet/Dry 10 Gallon Doubledecker
1981-1986

three vacuum cleaners, acrylic, and fluorescent lights
99 x 41 x 28 inches
251.5 x 104.1 x 71.1 cm

Los Angeles, Daniel Weinberg Gallery, Objects from the Modern World, February 18 – March 8, 1986
Klaus Kertess, "Naming Names, Bomb Magazine, Summer 1986 (ill. p. 56)
Roberta Smith, "Investigating the Ordinary and Rituals of Consumption," Art in America, May 1988, p. 167 (color ill. p. 167)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 48, 164 (color ill. p. 48)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 150
Alexi Worth, "Dealer's Weal," Artforum, June 2002 (color ill. p. 43)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 130 (color ill. p. 130)
Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (Hove, England: Thames & Hudson, 2014), p. 104
"Taiwan takes the lead in the global exhibition Monet's "Venice" painting is estimated to be worth 1.4 billion god-level works for free viewing," Apple Daily (Taiwan), March 25, 2022 (color ill.) https://tw.appledaily.com/entertainment/20220325/UYPFRCTPBNDKXCSNLQ6ZKBES7I/

New Hoover Convertibles, New Shelton Wet/Drys 5 Gallon Doubledecker
1981–1986

four vacuum cleaners, acrylic, and fluorescent lights
99 x 41 x 28 inches
251.5 x 104.1 x 71.1 cm

Dwight V. Gast, "What's New in Contemporary Art," Diversion Magazine 17, no. 11 (September 1989), p. 22 (color ill. p. 22)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 165
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 151
Artprice Contemporary Art Market: The Artprice Annual Report 2007/2008, p. 113
Monopol: Special Jeff Koons (Berlin), 2012 (color ill. p. 12)

New Shelton Wet/Dry 10 Gallon, New Shelton Wet/Dry 5 Gallon Doubledecker
1981–1987

two vacuum cleaners, acrylic, and fluorescent lights
82 x 28 x 28 inches
208.3 x 71.1 x 71.1 cm

The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 153
Hans Werner Holzwarth, Jeff Koons, Cologne, 2008, p. 132 (color ill. p. 132)

New Hoover Convertible, New Shelton Wet/Dry 5 Gallon, New Shelton Wet/Dry 5 Gallon Displaced Doubledecker
1981–1987

three vacuum cleaners, acrylic, and fluorescent lights
99 x 54 x 28 inches
251.5 x 137.2 x 71.1 cm

Los Angeles, Daniel Weinberg Gallery, The New: Encased Works 1981-1986, December 5, 1987 – January 16, 1988
Paris, Galerie Jerome de Noirmont, Jeff Koons, September 30 – November 29, 1997
Tokyo, National Art Center, Living in the Material World: "Things" in Art of the 20th Century and Beyond, January 21 – March 19, 2007
Hiroko Tamaka, "Jeff Koons," (text in Japanese) Hi Fashion (Tokyo) August 1988, p. 136 (color ill. p. 136)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 48 (color ill. p. 48)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 150
Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable,” Artforum 43, no. 2 (October 2004)
Living in the Material World: "Things" in Art of the 20th Century and Beyond, exh. cat. (Tokyo: National Art Center, 2007), p. 232 (color ill. p. 232)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 133 (color ill. p. 133)

New Hoover Convertibles Green, Red, Brown, New Shelton Wet/Dry 10 Gallon Displaced Doubledecker
1981-1987

four vacuum cleaners, acrylic, and fluorescent lights
99 x 54 x 28 inches
251.5 x 137.2 x 71.1 cm

Los Angeles, Daniel Weinberg Gallery, The New: Encased Works 1981-1988, December 5, 1987 – January 16, 1988
London, Anthony d'Offay Gallery, Jeff Koons: A Survey 1981-1994, June 11 – July 30, 1994
London, Anthony d’Offay Gallery, Sculpture, December 6, 1994 – February 14, 1995
Naples, Museo Archeologico Nazionale, Jeff Koons, June – September 15, 2003
London, Tate Modern, Jeff Koons: Artist Rooms, April 29 – January 1, 2010
Edinburgh, National Galleries of Scotland, ARTIST ROOMS: Jeff Koons, March 19 – July 3, 2011
Basel, Fondation Beyeler, Jeff Koons, May 13 – September 2, 2012
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014
Zdenek Felix, New York in View: Ashley Bickerton, Jeff Koons, Allan McColllum, Haim Steinbach, Meyer Vaisman, exh. cat. (text in German) (Munich: Kunstverein Munchen, 1988), p. 26 (color ill. p. 27)
Weitersehen 1980-1990, exh. cat. (Museum Haus Lange, Museum Haus Esters, 1990) (ill. p. 108)
Thomas Frend, "Ein Happening fur Gefuhle und Begierden," Newmag, July 1991 (color ill. p. 44)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 48 (color ill. p. 48)
Albig Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art, December 1992, p. 55 (ill.)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 151
Sculpture (London: Anthony d'Offay Gallery, 1995), p. 115 (color ill. plate 19)
Jeff Koons: Easyfun-Etheral, exh. cat. (Berlin, Deutsche Guggenheim, 2000, p. 29 (color ill. p. 29
Eckhard Schneider and Allison Gingeras, Jeff Koons: Kunsthaus Bregenz, exh. cat. (Koln: Kunsthaus Bregenz, 2001), p. 16 (ill. p. 16, Anthony d'Offay Gallery)
Eduardo Cicelyn, Mario Codognato, and Elena Guena, Jeff Koons: Museo Archeologico Nazionale Napoli, exh. cat. (Naples: Electa Napoli, 2003), p. 30 (color ill. p. 31)
Giancarlo Politi, "Jeff Koons: An Interview by the Readers of Flash Art," Flash Art International (Milan) 38, no. 240 (January-February 2005), p. 86 (color ill. p. 86)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), pp. 109, 133 (color ill. p. 133)
"Jeff Koons: Banality, Decadence and Easyfun," Tate (UK), 2009 https://www.tate.org.uk/art/artists/jeff-koons-2368/jeff-koons-banality-decadence-and-easyfun
Sam Phillips, The Art Lovers' Guide: London: The Finest Art in London by museum, artist, or period (New York, Skira Rizzoli, 2011), p. 189 (color ill. p. 189)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), pp. 64, 203 (color ill. p. 65)\
Jeff Koons Resource Pack, exh. supplement, ARTIST ROOMS: Jeff Koons, Brighton Museum and Gallery, 2013, p. 7
Jeff Koons, “The Words,” ed. Michael Polsinelli and Sasha Burkhanova, Garage Magazine (London), Fall/Winter 2014, p. 93\
Manami Fujimori, "Jeff Koons," (Text in Japanese) Art Techo (Japan) 66, no. 1012 (October 2014) (color ill. p. 34; color ill. p. 36)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 18, 56, 285 (color ill. p. 56, pl. 21)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 20, 60, 301 (color ill. p. 60, pl. 21)
Artist Rooms, The First Five Years (London: Tate Publishing, 2015) (color ill. p. 102)
Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 24 (color ill. p. 25)
Ten Approaches to Contemporary Art (Japan: Musashino Art University Press Co., Ltd., 2017) (ill. p. 9)
"Jeff Koons’ Philosophy of Perfection." Reflections, Nowness, June 16, 2014
"Jeff Koons: High art or plain extravagance?" Al Jazeera, August 22, 2015

New Hoover Deluxe Shampoo Polishers, New Shelton Wet/Dry 5 Gallon Displaced Quadradecker
1981–1987

six shampoo polishers, vacuum cleaner, acrylic, and fluorescent lights
116 x 54 x 28 inches
294.6 x 137.2 x 71.1 cm

Los Angeles, Daniel Weinberg Gallery, The New: Encased Works 1981-1988, December 5, 1987 – January 16, 1988
San Francisco Museum of Modern Art; Minneapolis Walker Art Center, Jeff Koons, December 10, 1992 – October 3, 1993
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 51 (color ill. p. 51)
The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 152
John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 47, 131 (color ill. p. 47, pl. 8)
Stephanie Barron, Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections (Los Angeles: Los Angeles County Museum of Art, 2001), pp. 125 (color ill. p. 125)
Hans Werner Holzwarth, ed., Jeff Koons (Cologne: Taschen, 2007), pp. 109,131 (color ill. pp. 109, 131)
Julia Peyton Jones and Hans Ulrich Obrist (foreword and conversation), Frederic Tuten, Arthur C. Danto, and Dorothea von Hantelmann, Jeff Koons: Popeye Series, eds. Kathryn Rattee and Melissa Larner, exh. cat. (London: Serpentine Gallery and Koenig Books, 2009), p. 69 (color ill. p. 69)
Scott Rothkopf [supervised by Bernard Blistène], Jeff Koons: La Retrospective (France: Centre Pompidou, 2014), p. 67

New Hoover Convertibles
1984

two vacuum cleaners, acrylic, and fluorescent lights
58 x 41 x 28 inches
147.3 x 104.1 x 71.1 cm

New York, White Columns, The New Capital, December 4, 1984 – January 4, 1985
London, Gagosian Gallery - Britannia Street, Crash: Homage to JG Ballard, February 11 – April 1, 2010
Sydney, Australia, Art Gallery of New South Wales, Pop to Popism, November 1, 2014 – March 1, 2015
London, Newport Street Gallery, Reason Gives No Answers, September 11 – November 10, 2019
Walter Robinson, "'The New Capital' at White Columns," Art in America, April 1985, p. 208
An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns (New York: White Columns, 1991), p. 24
Jeff Koons, The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 150
Jeff Koons and John Caldwell et al., Jeff Koons (San Francisco: San Francisco Museum of Modern Art, 1992), plate 5 (color ill. plate 5)
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 165
Bonnie Clearwater, ed., Defining the Nineties: Consensus Making in New York, Miami and Los Angeles (Miami: MOCA North Miami, 1996), p. 28 (ill. p. 28)
Hans Werner Holzwarth, Jeff Koons (Cologne: Taschen, 2008), p. 134 (color ill. p. 134)
Christopher Butler, Postmodernism (New York: Union Square & Co. 2010), pp. 87-88 (color ill. pp. 87-88)
Joséphine Bindé, "Jeff Koons trop cher pour les musées français," (text in French) Télérama (France), November 25, 2014
Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014), p. 226 (color ill. p. 227)
Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (London: Flammarion, 2014), p. 226 (color ill. p. 227)
Pop to Popism, exh. cat., ed. by Wayne Tunnicliffe and Anneke Jaspers (Art Gallery of New South Wales, November 2, 2014), pp. 260, 302
Nicholas Forrest, "The Joy of Jeff Koons at Damien Hirst's London Gallery," Blouin Art Info, May 26, 2016
Michael Archer and Hugh Allen, Jeff Koons: Now, exh. cat. (London: Other Criteria, 2016) (color ill.) pp. 24, 99 (color ill. p. 25; color ill. pp. 78-79, Newport Street Gallery installation; color ill. p. 99)

The New
1980

acrylic, vinyl, and fluorescent lightbox
35 1/4 x 45 x 8 inches
89.5 x 114.3 x 20.3 cm

New York, The New Museum of Contemporary Art, The New [a window installation], May 29 – June 19, 1980
London, Serpentine Gallery, In the Darkest Hour There May be Light: Works from Damian Hirst's murderme Collection, November 26, 2006 – January 28, 2007
Basel, Fondation Beyeler, Jeff Koons, May 13 – October 2, 2012
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014
Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 – April 27, 2015
Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015
London, Newport Street Gallery, Jeff Koons: Now, May 18 – October 16, 2016
Klaus Kertess, "Bad," Parkett, Vol. 19, 1989, p. 31
Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 42 (color ill. p. 42, New Museum installation)
Eduardo Cicelyn, Mario Codognato, and Elena Guena, Jeff Koons: Museo Archeologico Nazionale Napoli, exh. cat. (Naples: Electa Napoli, 2003), p. 28 (color ill. pp. 28-29, New Museum installation)
Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (Distributed Art Publishers, Inc., 2003), p. 17 (color ill. p. 17, The New Museum installation)
Katy Siegel, "Jeff Koons talks to Katy Siegel," Artforum 41, no. 7 (March 2003) (color ill. p. 253)
In the Darkest Hour There May Be Light: Damien Hirst, Murderme Collection, exh. cat. (London: Other Criteria, 2007)
Hans Werner Holzwarth, ed., Jeff Koons, Cologne 2008, p. 107, illustrated in color (installation view)
Brigitte Kölle and Stiftung Kunstsammlung, Es geht voran: Kunst der 80er. Eine Düsseldorfer Perspektive (Munich, Prestel Verlag, 2010), p. 42 (color ill. New Museum installation)
L. Marsova, "AO On Site - Basel - Artist talk with Jeff Koons at Fondation Beyeler, Thursday June 14, 2012," Art Observed, June 14, 2012 (color ill. Fondation Beyeler installation)
Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz, 2012), p. 40, 41 (color ill. pp. 40-41, The New Museum installation)
Jaimey Hamilton Faris, Uncommon Goods: Global Dimensions of the Readymade (Bristol, UK/Chicago, IL: Intellect, 2013) (ill. p. 35, New Museum installation)
Katherine Brooks, “Jeff Koons - An Artist, Wrapped In A Mystery, Inside Shiny Stainless Steel,” HuffingtonPost, June 27, 2014 (color ill., Whitney installation) https://www.huffpost.com/entry/jeff-koons-a-retrospective_n_5538103
Manami Fujimori, "Jeff Koons," (Text in Japanese) Art Techo (Japan) 66, no. 1012 (October 2014) (color ill. p. 69)
Moderna Museet, Sculpture After Sculpture: Fritsch/Koons/Ray, exh. cat. (Ostfildern: Hatje Cantz, 2014, p. 65 (color ill. p. 60 New Museum installation)
Christophe Moltisanto, “Un Bonheur communicatif,” Beaux Arts editions, December 2014, p. 22
Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014), p. 99 (color ill. pp. 100-101, New Museum installation)
Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal. Hove, England: Thames & Hudson, 2014), p. 99 (color ill. pp. 100-101, New Museum installation)
Modern Art Museum of Fort Worth. Urban Theater: New York Art in the 1980s, exh. cat., Modern Art Museum of Fort Worth, China: Skira Rizzoli Publications, 2014), pp. 26-7 (color ill. pp. 26-27, New Museum installation)
Urban Theater: New York Art in the 1980s, ed. Michael Auping, Andrea Karnes, and Allison Hearst, exh. cat. (Modern Art Museum of Fort Worth, 2014) (color ill. New Museum window install. p. 26-27)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 50, 285 (color ill. p. 50, pl. 13)
Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 58, 297 (color ill. p. 58, pl. 13)
Jeff Koons: La Rétrospective, L'Album de L'Exposition, eds. Julie Champion, Caroline Edde (Paris: Centre Pompidou, 2014), p. 8 (color ill. p. 8)
Pilar Ordovas, Self: Bacon, Hirst, Koons, Picasso, exh. cat. (London: 2014) (color ill. p. 49)
Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 54, 297 (color ill. p. 54, pl. 13)
Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 95 (ill. p. 92)
Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of the Exhibition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 26 (color ill. p. 26)
"Jeff Koons Now Exhibition Opens At Damien Hirst's Newport Street Gallery," Artlyst, May 18, 2016 (color ill.)
Michael Archer and Hugh Allen, Jeff Koons: Now, exh. cat. (London: Other Criteria, 2016) pp. 14, 99 (color ill. p. 15; color ill. p. 99)
Diana Cosmin, "louis Vuitton colaboreaza cu cel mai bine cotat artist contemporan, Jeff Koons," Fine Society (Romania), April 12, 2017 https://finesociety.ro/jeff-koons-si-louis-vuitton/
Carol Yu, "Jeff Koons?" Ravenel, no 20 (Spring 2017) (color ill. p. 56, New Museum installation)
Grace Halio, "Jeff Koons and George Condo Recall the '80s at New Museum's 40th Anniversary Fete," ArtNews, December 7, 2017 (color ill., New Museum installation) https://www.artnews.com/art-news/news/jeff-koons-george-condo-recall-80s-new-museums-40th-anniversary-fete-9426/
40 Years New, ed. Lisa K. Phillips, exh. cat. (New York: New Museum, 2017) (color ill., pp. 32-33, New Museum installation)
Claire Selvin, "How Jeff Koons Became One of the Most Famous Artists of Our Time," Artnews, April 15, 2020 (color ill., New Museum installation) https://www.artnews.com/art-news/artists/jeff-koons-career-milestones-1202683 827/
Pietro Mini, "a dialogue with artist jeff koons: trust in yourself!," Designboom, September 28, 2021 https://www.designboom.com/art/dialogue-artist-jeff-koons-trust-in-yourself-09-28-2021/
Jeff Koons. Shine, eds. Joachim Pissarro and Arturo Galansino, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021) (color ill. p. 171, New Museum window installation)

The New Club Smirnoff Bloody Mary
1983

lithograph on paper
10 x 21 1/2 inches
25.3 x 54.5 cm

Kunsthaus Bielefeld, Jeff Koons: Pictures 1980-2002, September 22 – November 10, 2002
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014
Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (Distributed Art Publishers, Inc., 2003), pp. 34, 96, (color ill. p. 34)
Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 183 (color ill. p. 138)
Paola Nicolin, "So Different, So Appealing," Kaleidoscope 11 (Summer 2011) (color ill. p. 188)

THE NEW

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