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2008 The Broad Contemporary Art Museum at the Los Angeles County Museum of Art, Clothbound, Lichtenstein Girls [exhibition]. : New Haven and London: Yale University Press, 2008. 9-19 Bois, Yve-Alain and Rachum, Stephanie. Glenstone: The Inaugural Exhibition, September 2006-December 2008. Potomac, Maryland: Glenstone Foundation, 2008. 30 [New Hoover Convertibles, Green, Red, Brown, New Hoover Deluxe Shampoo Polishers, Yellow, Brown Doubledecker], 36-37 [installation view New Hoover Convertibles, Green, Red, Brown, New Hoover Deluxe Shampoo Polishers, Yellow, Brown Doubledecker] Obrist, Hans Ulrich. Conversations: Volume I. Manuella Editions, 2008. 473-485. 2007 Klaus Biesenbach, Into me / Out of me, P.S.1 Contemporary Art Center, Long Island City; KW Institute for Contemporary Art, Berlin. Maria De Corral and John R. Lane, Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas. Schneider, Eckhard, ed. Re-Object: Marcel Duchamp. Damien Hirst. Jeff Koons. Gerhard Merz [exhibition]. Bregenz: Kunsthaus Bregenz, 2007. [Pink Panther, Ilona's Asshole, Tulips, Balloon Dog (Blue), Rabbit, Caterpillar Ladder, Hulk Elvis I, Jim Beam – J.B. Turner Train] Art in the USA: 300 Anos de Innovacion. Bilbao: Merrell Publishers Ltd., The Solomon R. Guggenheim Foundation and Terra Foundation for American Art, 2007. 242 [Niagara], 243 [Tulips]. Art Now: 2008 Taschen Diary. Köln: Taschen, 2008. [week 7: Hanging Heart (Red/Gold), week 17: Pot Rack,week 39: Popeye]. Blind Date Istanbul [exhibition], Frankfurt: Deutsche Bank, September 8 – November 1, 2007. Frankfurt: Deutsche Bank Kunst, 2007. 136 [Paddle Ball Game illustrated], 137, 209. Brofen, Elisabeth, Edelbert Köb, Gerald Matt, Hilary Rubenstein Hatch, Angela Stief. Dream & Trauma: Works from the Dakis Joannou Collection, Athens [exhibition]. Ed. Kunsthalle Wien and Museum Moderner Kunst Stiftung Ludwig Wien. Verlag: Ostfildern-Ruit, 2007. 27, 34, 37, 40, 126-129. [Dakis home installation, One Ball Total Equilibrium Tank, Balloojn Dog (Red), Jeff in the Position of Adam, Chainlink, Cake] Davidson, Susan ed. Art in America: Three Hundred Years of Innovation [exhibition]. New York/ London: Merrell, 2007. [Published in association with the Solomon R. Guggenheim Foundation and the Terra Foundation for America Art] Exhibit B: Ulrich Lamsfuß. Paris: Galerie Daniel Templon, 2007. 11, and back cover. [Made in Heaven 1-2005; Made in Heaven 2-2005]. Gagosian Gallery, Prime Concept, and Alfa Bank, Insight? [exhibition]. Moscow: Luxury Village in Barviha, Odintsovskii District, October 18-28, 2007 [plate 36, Peg Leg Whistles, 2005]. Gagosian Gallery, Pop Art Is: September 27 – November 10, 2007. London: Gagosian Gallery, 2007 [plates 99-102 – Three Ball 50/50 Tank 1985, Stay in Tonight 1986, Jim Beam – J.B. Turner Train 1986, Popeye 2003, and installation view of Michael Jackson and Bubbles (no page #)] Exhib. Catalogue Grigoteit, Ariane. Affinities: Deutsche Guggenheim 1997-2007 [exhibition]. Frankfurt: Deutsche Bank Kunst, 2007. 64-65, 109, 209, 237. [Louis XIV, installation, portrait] Living in the Material World: “Things” in Art of the 20th Century and Beyond [exhibition]. Tokyo: National Art Center, 2007. 232 [New Hoover Convertible, New Shelton Wet/Dry 5 Gallon, New Shelton Wet/Dry 5 Gallon, Displaced Doubledecker]. PinchukArtCentre. Reflection [exhibition]. Kyiv: Victor Pinchuck Foundation, 2007. Roberts, Rebecca, ed. MoMA: Highlights since 1980. New York: The Museum of Modern Art, 2007. Pg 29 [New Shelton Wet/Dry Doubledecker] Rehm, Hannes, ed. Hinter Glas: Das Kunstengagement der NORD/LB, VG Bild-Kunst, Bonn 2007. Cover, pgs 49 52 [Tulips] Seduced: Art & Sex From Antiquity to Now. Ed. Wallace, Marina, Kemp, Martin, Bernstein, Joanne. London/New York: Merrell, 2007. Published in conjunction with the exhibiton “Seduced: Art & Sex From Antiquity to Now” shown at the Barbican Centre, London, 12 October 2007—27 January 2008. 2006 Art Now: 2007 Taschen Diary. Köln: Taschen, 2006. [Week 15: Elvis] Art Now: 2007 Taschen [Monthly] Calendar. Köln: Taschen, 2006. [August: Elephant, Dolphin] Art Now: 2007 Taschen [Daily] Calendar. Köln: Taschen, 2006. [February 20: Elephant, June 7: Dolphin, September 19: Stream] Barron, Stephanie et al. Magritte and Contemporary Art: The Treachery of Images. Los Angeles: Baume, Nicholas. Super Vision; Institute of Contemporary Art/ Bostoni [exhibition]. Cambridge, MA: The MIT Press, 2006. 96-101 (Rabbit, Olive Oyl). Evelyn Benesch, Philippe Büttner and Heike Eipeldauer, Eros in der Kunst der Moderne: von Courbet bis heute, Fondation Beyeler, Basel; BA-CA Kunstforum, Vienna; Hatje-Cantz, Ostfildern-Ruit. Francesco Bonami and Sarah Cosulich Canarutto, Infinite Painting: Pittura Contemporanea e Realismo Globale, Villa Centro di Arte Contemporanea, Passariano, Codroipo. Alison M. Gingeras and Jack Bankowsky, Where are We Going: Selections from the François Pinault Collection, Skira, Milano. Damien Hirst, Harland Miller and Hans Ulrich Obrist, In The Darkest Hour There May Be Light: Works from the Damien Hirst murderme collection, Serpentine Gallery, London. David Hopkins, Dada’s Boys: Identity and Play in Contemporary Art, The Fruitmarket Gallery, Edimburgh. Peter Joch, Schöner Leben: Werke aus den FRAC – Sammlungen Aquitaine, Limousin, New York, New York, Grimaldi Forum, Monaco. Edgar Peters Bowron, Carolyn Rose Rebbert, Robert Rosenblum and William Secord, Best in Show: The Dog in Art from Renaissance to Today, Museum of Fine Arts, Houston. Pièces maitresses, Conseil Régional d’Aquitaine, Bordeaux. Ute Schleiter and Judith Welsch-Körntgen, Meisterwerke der Staatsgalerie Stuttgart von Ratgeb bis Koons, Michael Imhof Verlag, Petersberg. Blind Date [exhibition]. Frankfurt: Deutsche Bank, 2006. 46. Browne, Alix and Christopher Bollen. Artists. Photographs by Jason Schmidt. Buser, Thomas. Experiencing Art Around Us. 2nd Ed. Belmont, CA: Thompson Wadsworth, 2006. 476-477. Eros in der Kunst der Moderne, 8. Oktober 2006 – 18. Februar 2007, Foundation Beyeler. Richen/ Basel: Foundation Beyeler, 2006. 189. Gasparina, Jill. I Love Fashion: L’art contemporain et la mode. Paris: Editions Cercle d’Art, 2006. 111 [Rabbit, 1986] Getlein, Mark. Living with Art, 8th ed. New York: McGraw Hill, 2006. 291. Gingeras, Alison M. and Jack Bankowsky, eds. Where are We Going: Selections from the François Pinault Collection. Venice [Italy]: Palazzo Grassi, 2006. 26-29, 45, 242-49. Hopkins, David et al. Dada’s Boys. Edinburgh: The Fruitmarket Gallery [exhibition], 2006. 38-45. In The Darkest Hour There May Be Light: Works from the Damien Hirst Murderme Collection. London: Sepentine Gallery, 2006. Individuals: Portraits from the Gap Collection. New York: Melcher Media, 2006. [Portrait of Jeff by Christian Witkin]. La collezione François Pinault; una selezione Post-Pop. Milano: Skira, 2006. Cover, 30-33. Lindemann, Adam. Collecting Contemporary. Köln: Taschen, 2006. Lucklow, Dirk. Ballermann. Die Ausstellung; 29. April – 9. Juli 2006 [exhibition]. Kunsthalle zu Kiel, 2006. 56-59. M/M Paris, ed. Translation. Athens: The Deste Foundation, 2006. Morris, Francis, ed. Tate Modern Handbook. London: Tate, 2006. 202-203 [203]. Nous nous sommes tant aimés. Paris: Galerie Kamel Mennour et al., 2006. 57, 63, 76. Raczka, Bob. 3-D ABC: Sculptural Alphabet. Minneapolis: Millbrook Press, 2006. 25. Telfair Museum of Art. The Kirk Varnedoe Collection [exhibition]. New York: Grenfell Press, 2006. Toquin, Alain Le; photographs. Gardens in Time. New York: Abrams, 2006. 312-133 [Puppy (Bilbao)] Ullrich, Wolfgang. “Kitsch als Kunst: Milan Kunc und Jeff Koons – die Verheiβungen marktwirtschaftlicher Ästhetik – Bilder via Meinungsumfrage?” In Bilder auf Weltreise: Eine Globalisierungskritik. Berlin: Verlag, 2006. 92-96. Varnedoe, Kurt. Pictures of Nothing: Abstract Art Since Pollock. Princeton, NJ: Princeton University Press, 2006. 39-40. 2005 100 Most Beautiful Museums of the World. Hamburg: Rebo Publishers, 2005. 176-177. Beeren, Wim. Wim Beeren – om de kunst. Rotterdam: NAI Uitgevers, 2005. 309, 310, 313, 318, 376, 411-413, 489, 519, 520, XVI. Dickins, Rosie. The Usborne Book of Art: A Complete Introduction for Beginners. London: Usborne, 2005.138, 178. Ed Paschke Tribute Show; 4/8/05 – 7/8/05 [exhibition]. Gallery 415, 2005. Glimcher, Marc. Logical Conclusions: 40 Years of Rule-Based Art [exhibition]. New York: PaceWildenstein, 2005. 105. Gludowacz, Irene, Sussanne van Hagen, and Philippe Chancel. A Passion For Art: Art Collectors and their Houses. Munich: Verlag, 2005 (Original Edition): London: Thames & Hudson, 2005. 65, 66, 131-139, 171, 175, 210, 217. Grosenick, Uta. “Jeff Koons.” In Art Now Vol 2. Köln: Taschen, 2005. 236-239, 586. Grosenick, Uta and Raimar Stange. International Art Galleries; Post-War to Post-Millennium. Cologne: Dumont Literatur, 2005.[17], 188, [189], 257, 278-9, [298], 323. Heins, Marjorie and Tricia Beckles. Will Fair Use Survive?: Free Expression in the Age of Copyright Control. New York: Brennan Center for Justice, 2005. 3 (“String of Puppies”). Kerrigan, Michael. Modern Art. London: Flame Tree Publishing, 2005. 70, 368. Lambirth, Andrew. Allen Jones Works. London: Royal Academy of Arts, 2005. 20,32. Mahon, Alyce. Eroticism & Art. London: Oxford Univ. Press, 2005. 243-244. Mitchell, W.J.T. What do Pictures Want? The lives and Loves of Images. Chicago: University of Chicago Press, 2005. 114-115,120-124. Murakami, Takashi ed. Little Boy: The Arts of Japan’s Exploding Subculture. New York: Japan Society, 2005. 272, 275,284-285. Nir Hod: Forever. Tel Aviv, Israel: Tel Aviv Museum of Art, 2005. 34, 66. Spackman, Betty. A Profound Weakness: Christians & Kitsch. Carlise, U.K.: Piquant Editions, 2005. 15, 421. Thomas Buser. Experiencing Art Around Us. 2nd ed. Belmont, CA: Thomson Wadsworth, 2006. Van Winkel, Camiel. The Regime of Visibility. Rotterdam: Nai Publishers, 2005. 19, 109-114, 168-171, 177, 182. 2004 C&M Arts. Jeff Koons: Highlights of 25 Years [exhibition]. New York: C&M Arts, 2004. Deitch, Jeffrey; ed. Monument to Now: The Dakis Joannou Collection [exhibtion]. Athens: Deste Foundation, 2004, 201-248. Goetz, Rainald. Jeff Koons [play]. Trans. David Tushingham. London: Oberon Books, 2004. [First performed at The Drum, Theatre Royal, Plymouth 13th October 2004]. Hummel, Maria. 25 Artists – Builders: Years of MOCA 1979-2004. Los Angeles: Los Angeles Museum of Contemporary Art, 2004 (limited edition). 92-93. 2003 Berlin 1994-2003. Berlin: Galerie Max Hetzler, 2003. 2, 41. Galerie Max Hetzler. Berlin 1994-2003. Berlin: Galerie Max Hetzler, 2003. 2, 41. Pearlman, Alison. Unpacking Art of the 1980s. Chicago: University of Chicago Press, 2003. Inboden, Gudrun et al. The DaimlerChrysler Collection [exhibition 24 May – 31 August 2003]. Museum fur Neue Kunst and Detroit Institute of the Arts, 2003. 2002 Lucie-Smith, Edward. American Realism. London: Thames & Hudson, 2002. 225-228. McNair, Brian. Striptease Culture: Sex, Media and the Democratisation of Desire, London: Routledge, 2002. 64-7, 69, 75, 87-88, 108, 177-178, 183-185, 202. Pinchbeck, Daniel. Jeff Koons Andy Warhol: Flowers, 11 November – 21 December, 2002 [exhibition]. New York: Gagosian Gallery, 2002. Stainback, Charles Ashley et al. From Pop to Now: Selections from the Sonnabend Collection [exhibition]. Sarasota Springs: Skidmore College, 2002. 136-139. Von Uta Grosenick, Herausg and Burkhard Riemschneider. Art Now, 137 Artists at the Rise of the New Millennium. Köln: Taschen, 2002. 2001 Play’s the Thing: Critical and Transgressive Practices in Contemporary Art [exhibition May 25- 2000 Baudrillard, Jean et al. New Architecture 5: Truth Radicality and Beyond in Contemporary Architecture. London: Andreas Papadakis, 2000. 1. Bjelajac, David. American Art: A Cultural History. London: Laurence King, 2000. 391. Kemp, Martin ed. The Oxford History of Western Art. Oxford: Oxford University Press, 2000. Kuspit, Donald. Redeeming Art: Critical Reveries (Aesthetics Today). New York: Allworth Press, 2000. 160. Walther, Ingo F. Art of the 20th Century, 2000 Diary. Köln: Taschen, 2000. 1999 Collings, Matthew. "The Shock of the Now.” In This is Modern Art. London: Weidenfeld & Nicholson, 1999. 38-39, 244, 248-251, 258, 260. Riemschneider, Burkhard and Uta Grosenick eds. Art at the Turn of the Millennium. Köln: Taschen, 1999. 286-289. Gregos, Katerina ed. Jeff Koons [exhibition “Jeff Koons: A Millennium Celebration – Works from the Dakis Joannou Collection 1979-1999” 15 December 1999-15 May 2000]. Deste Foundation, 1999. 1998 Godfrey, Tony. Conceptual Art. London: Phaidon Press, 1998. 392, 394. 1996 Deitch, Jeffrey; project coordinator. Everything That’s Interesting is New: The Dakis Joannou Collection [exhibition]. Ostfildern: Verlag & Deste Foundation, 1996, 282-293. Ostfildern: Verlag & Deste Foundation, 1996, 282-293. Muthesius, Angelika et al. Twentieth-Century Erotic Art. Colonge: Taschen, 1996. 1995 Rubin, David S. It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art. New York: Prestel Pub, 1995. 64-65, 152. 1994 Golden, Thelma. Black Male: Representations of Masculinity in Contemporary American Art. New York: Whitney Museum of American Art, 1994. 66. 1990 Livingstone, Marco. Pop Art: A Continuing History. New York: Thames & Hudson, 1990 (reprint 2003). 222, 242-3, 244, 246-8, 260; 318, 362, 364. 1989 Richard Armstrong, Lisa Phillips and Richard Marshall, Whitney Biennial, Whitney Museum of American Art, New York. Frank Barth, Karl Weber and Thomas Wulffen, D&S Ausstellung, Kunstverein Hamburg, Hamburg. Dan Cameron and Gosse Oosterhof, Horn of Plenty: Sixteen Artists from NYC / Hoorn van Overvloed: Zestien kunstenaars uit NYC, Stedelijk Museum, Amsterdam. Tricia Collins and Richard Milazzo, Hyperframes: Discours su l’Après-Appropriation, vol. 1, Antoine Candau, Paris. Jan Donia and Wolfgang Max Faust, Surrogaat: 15 jaar Galerie ‘t Venster tussen Kiefer en Koons, SDU Uitgerverij, Rotterdam. Peter Edström, Helene Mohlin and Anna Palmqvist, What is Contemporary Art?, Rooseum, Malmö. Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus. Catherine Gudis, Ann Goldstein, Mary Jane Jacob and Howard Singerman, A Forest of Signs: Art in the Crisis of Representation, MOCA The Museum of Contemporary Art, Los Angeles; MIT Press, Cambridge. Marvin Heiferman, Lisa Phillips and John G. Hanhardt, Image World: Art and Media Culture, Whitney Museum of American Art, New York. Thomas Kellein, Mit dem Fernrohr durch die Kunstgeschichte: von Galilei zu den Gebrüdern Mongolfier, Kunsthalle Basel, Basel. Miwon Kwon, Sarah Bayliss and Christopher Hoover, Suburban Home Life: Tracking the American Dream, Whitney Museum of American Art, New York. Christian Leigh and Manuel Wally, The Silent Baroque, Galerie Thaddaeus Ropac, Salzburg. 1988 Danoff, Michael. Jeff Koons [exhibition].1988. Chicago: Museum of Contemporary Art, 1988. Lawrence Alloway, Modern Dreams: The Rise and Fall of Pop, MIT Press, Cambridge. Achille Bonito Oliva, Superart, Giancarlo Politi, Milan. Artschwager: His Peers and Persuasion, 1963-1988, Daniel Weinberg Gallery, Los Angeles. Germano Celant, Unexpressionism: Art beyond the Contemporary, Rizzoli, New York. Tricia Collins and Richard Milazzo, Art at the End of Social, Rooseum, Malmö. Tricia Collins, Richard Milazzo and Gary Indiana, Hybrid Neutral: Modes of Abstraction and the Social, Independent Curators Incorporated, New York. Jeffrey Deitch and Peter Halley, Cultural Geometry, DEKA Foundation, House of Cyprus, Athens. Zdenek Felix, New York in View, Ashley Bickerton, Jeff Koons, Allan McCollum, Haim Steinbach, Meyer Vaisman, Kunstverein München, Munich, (text by Noemi Smolik, Michaela Melián and Daniela Lanzer). Jürgen Harten and David A. Ross, The BiNational: German Art of the Late 80s, American Art of the Late 80s / BiNationale: deutsche Kunst der späten 80er Jahre, amerikanische Kunst der späten 80er Jahre, DuMont, Cologne. Klaus Honnef and Hugh Beyer, Contemporary Art, Taschen, Cologne. Veit Loers, Hubertus Grasner and Markus Bruderlin, Schlaf der Vernunft, Museum Fridericianum, Kassel. Sarah MacFadden and Joan Simon, The Carnegie Museum of Art: Carnegie International, Prestel, Munich. NY Art Now: Part II, The Saatchi Gallery, London. Redefining the Object, Wright State University, Dayton. Calvin Tomkins, Post- to Neo-: the Art of the World of the 1980s, Henry Holt, New York. Phyllis Tuckmann, Three Decades: The Oliver-Hoffman Collection, The Museum of Contemporary Arts, Chicago. 1987 Richard Armstrong, 1987 Biennial Exhibition, Whitney Museum of American Art, New York. Klaus Bußmann and Kasper König, Skulptur Projecte in Münster 1987, Westfälisches Landesmuseum für Kunst- und Kulturgeschichte, Munster; DuMont, Cologne. Dan Cameron, New York Art Now: The Saatchi Collection, The Saatchi Collection, London. Colleción Sonnabend, Ministerio de Cultura, Madrid. Peter Frank and Michael McKenzie, New, Used and Improved: Art for the Eighties, Abbeville Press, New York. Howard N. Fox, Avant-Garde in the Eighties, LACMA Los Angeles County Museum of Art, Los Angeles, (text by Earl A. Powell). Joseph Jacobs and Marvin Heiferman, This Is Not a Photograph: Twenty Years of Large-Scale Photography 1966-1986, The John and Mable Ringling Museum of Art, Sarasota. John Kaiser, Carte Blanche: Les Coutiers du désir, Le Centre, Paris. Kim Levin, Beyond Modernism: Essays on Art from the ‘70s and ‘80s, Harper and Row, New York. Eugene Schwartz, Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, (text by Anastasi William). Simulations, New American Conceptualism, Milwaukee Art Museum, Milwaukee. 1986 Yve-Alain Bois, Elizabeth Sussman, David Joselits and Hal Foster, Endgame: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston. Dan Cameron, L’Art i el seu doble: Panoram de l’art a Nova York / Art and its double: a New York Perspective, Fundació Caixa de Pensiones, Barcelona. Jeffrey Deitch, Modern Objects, A New Dawn Exhibition, Bakerville/Watson, New York. Gary Garrels, New Sculpture, The Renaissance Society at the University of Chicago, Chicago. Siegfried Gohr and Rafael Jablonka, Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940, Museum Ludwig, Cologne. Günter Förg, Robert Gober, Axel Hütte Jon Kessler, Hubert Kiecol, Jeff Koons, Meuser, Heimo Zobernig, Galerie Max Hetzler, Cologne. Howard Halle, A Brokerage of Desire, Otis/Parson Exhibition Center, Los Angeles. Prospect 86: Eine internationale Ausstellung aktueller Kunst, Frankfurter Kunstverein, Frankfurt. Saltz, Jerry. Beyond Boundaries: New York's New Art. Essays by Roberta Smith and Peter Halley. New York: Harper Collins, 1986. 4-7. Brian Wallis, Damaged Goods, The New Museum of Contemporary Art, New York, (texts by Hal Foster, Deborah Bershad, Marcia Tucker and artists’ statements). |